From left to right: Chemin du Montparnasse, © Margot Montigny/AWARE; Archival speed dating, hosted by Isabelle Sentis for the Université d’été at the Bibliothèque Kandinsky; Design by Lisa Sturacci studio, © AWARE: Archives of Women Artists, Research & Exhibitions
Montparnasse – Bienvenüe metro station, Exit 2, Lines 4, 6, 12 and 13
Villa Vassilieff is accessible to visitors using wheeled devices or who have mobility difficulties thanks to special facilities (access ramp, adapted toilets, and a lift).
In addition, several reserved parking spaces are available close to the Villa Vassilieff:
• in front of 4 rue d’Alençon, 75015 Paris
• in front of 7 rue Antoine Bourdelle, 75015 Paris
• in front of 23 rue de l’Arrivée, 75015 Paris
Consult the map of adapted parking spaces in Paris here.
Historical traces of lesbian and queer artistic life are numerous, dating since at least the late 19th and early 20th centuries. Yet these narratives remain in the margins of conventional art-historical writing and are often ignored or downplayed within artists’ biographies. The result is a history that turns a blind eye to queer histories.
Yet many artists lived their identities to the full, and let these identities influence their work. Rosa Bonheur, Lotte Laserstein, Romaine Brooks, Marie Laurencin, Gerda Wegener and Lili Elbe, Marlow Moss, Claude Cahun and Marcel Moor, or Barbara Hammer, to name but a few, are found throughout art history and contemporary lesbian and queer cultures.
Lesbian archives represent an essential site of research for the resurrection of these stories and the creation of feminist art history. Historical, personal and emotional narratives intersect in and around these archives, enlightening the past and helping us to understand the present.
AWARE invites Isabelle Sentis for an “archival speed dating” workshop. Suggested as an occasion for exchange and discovery inspired by a speed dating format, you will have the opportunity to get to know archival “partners” and investigate a provided document with the help of precise instructions.
These archives hold memories of lesbian and queer artists and cultures. The experience offers a historical discovery through archival materials, where cultural memory and the history of sexuality intersect.
Following the workshop, a public discussion with Faustine Besançon will open up a dialogue on the subjects of archival practices and writing an LGBTQI history of art, something often relegated to the margins of the academic world.
The event will be held in French.
Free registration here.
Isabelle Sentis is an art activist, art therapist and cultural project manager. Through her work, she aims to democratize access to shared cultural knowledge. A teacher and consultant in the fields of participatory and collaborative practices, she has been leading international projects dedicated to LGBTQI archives and the war on AIDS for the past fifteen years. In her role as an artist-activist who fights for the rights of women, LGBTQIA+ people and people living with HIV, she co-founded Fabric’Art-thérapie with expert patients, carers and artists. She is a member of the Palais de Tokyo’s Hamo Steering Committee, a space for mediation, education, inclusion and improvement through artistic practices. She is also a member of Queer Code, a project that aims to make visible the experiences of lesbians during World War II through art as well as digital and tangible media.
Faustine Besançon holds a master of arts in dance from Université Paris 8 Vincennes-Saint Denis and a diploma from the DIU ArTeC+, and is currently a PhD student in gender studies with a specialization in the arts at Université Paris 8. Her practice-based research project is entitled “Bringing the archives out of the closet. A renewal of archival practices through queer artistic performances.” She is interested in performance as a means of creating new archives and memories with a living and affect-driven dimension, centered on the history of gender and sexual minorities. More specifically focused on the place of lesbians in LGBTQI+ histories, her research is conducted in part with the Archives Recherches et Cultures lesbiennes (ARCL) in Paris.