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AWARE
AWARE
FR
EN
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Index
Read
Focus
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A Place for Artists
Villa Vassilieff
Location
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Events
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At the Villa Vassilieff
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AWARE
について
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1920s
Research
122
Interviews
20
Review
88
Fields
Visual arts
7
Artistic Movements
Art Déco
1
New Objectivity
1
Surrealism
6
Subjects
Abstraction
23
Allegory
15
Animals
17
Architecture
12
Autobiography
14
Self-portrait
27
Political issues
63
Women's status
67
Human body
71
Discriminations
39
Documentary
12
Childhood
8
Public space
9
Fantasy & dreams
13
Feminism
58
Geography
6
History
49
Art history & museum
22
Identity
35
Industry
4
Intimacy
13
Maternity
16
Memory
38
Human migration
12
Fashion & clothing
2
Nation
6
Nature
29
Still life
7
Nude
22
Landscape
23
Urban landscape
12
Portrait
36
Postcolonialism
25
Religion & spirituality
12
Domestic scene
11
Traditions
27
Work
11
Drag
4
Vegetal
12
Everyday life
33
Travel
2
Mediums
Graphic arts
93
Watercolour
14
Dessin (ink, pencil…)
38
Engraving & etching
9
Illustration
6
Pastel
7
Journal
8
Performing arts
0
Audiovisual
44
Concepts
2
Space & installation
81
[Modes]
19
Monumental
11
Objects
18
Ceramic
9
Painting
107
Gouache
7
Oil
35
Performance
34
Photography
57
Analogue photography
23
Photojournalism
2
Photomontage
4
Historical techniques
5
Sculpture
45
Bronze
5
Textile
28
Embroidery
8
Countries
Africa
19
Algeria
3
Central America and the Caribbean
4
France (Antilles)
1
North America
60
Canada
3
United States
53
Mexico
8
South America
32
Asia
30
China
4
Japan
15
Europe
142
Germany
20
Denmark
4
France
75
Georgia
1
Hungary
6
Poland
5
United Kingdom
25
Middle East
16
Oceania
7
Australia
6
Periods of
activity
XVIe siècle
2
17th century
3
18th century
6
1710s
4
1720s
4
1730s
4
1740s
4
1750s
4
1760s
4
1770s
4
1780s
4
1790s
4
19th century
20
1800s
3
1810s
3
1820s
3
1830s
4
1840s
3
1850s
4
1860s
5
1870s
5
1880s
9
1890s
11
20th century
188
1900s
14
1910s
17
1930s
30
1940s
28
1950s
33
1960s
65
1970s
108
1980s
109
1990s
98
21st century
129
2000s
96
2010s
110
Programmes
— Women Artists in Japan, 19th–21st c.
10
— Le Louvre & AWARE
4
— Rewriting Art History in the Americas
10
— TEAM: Teaching, E-learning, Agency, Mentoring
17
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Article
23.01.2026 | Emily Larsen
Women Artists: Reframing the Rockies
Article
28.11.2025 | Béatrice Lauwick
Women painting restorers in Paris before 1950
Article
18.07.2025 | Tomoko OGAWA
The Women Nihonga Artists of Osaka
Article
07.06.2024 | Tomoko Kira
The sisters Shigure and Haruko Hasegawa, and Women’s Art magazine
Article
26.04.2024 | Katarzyna Ewa Trzeciak
How to Become an Artist in Interwar Warsaw. Examining the Emerging Artistic Careers of Three Jewish Women: Mary Litauer, Bella Natanson and Resia Schor
Article
12.04.2024 | Christelle Lozère
The major role of women artists in the history of art of the French Antilles in the context of slavery and post-slavery
Article
21.04.2023 | Yukiko Yokoyama
A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Article
26.11.2021 | Sofie Normann Christensen
The Danish Women Artists’ Retrospective Exhibition in Copenhagen, 1920
Article
19.09.2020 | Julia Hartmann
Nudes in 1920s China: Emancipation and Agency in the Works of Female Artists
Article
21.06.2020 | Paul Narjoz-Delatour
The Evolution of the Artistic Portrayal of Women by Chinese Female Artists in the 20th Century
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Thesis or dissertation abstract
04.05.2019 | Margot Eben
Being a woman sculptor in the first half of the 20
th
century: the case of Claire J. R. Colinet
Article
24.02.2019 | Camille Viéville
New Pathways, New Voices. Women Painters and Self-Portraiture in Early 20th Century Europe
Article
12.01.2019 | Nathalie Ernoult
Three Scandinavian surrealist women artists in Paris
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
Exhibition review
24.08.2018 | Camille Viéville
Aenne Biermann at Museum Ludwig: a taste for forms
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