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Article
05.09.2025 | Stéphanie Dadour
Pedagogy is political: the Women’s School of Planning and Architecture
Article
20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
22.03.2024 | Romy Kerkhof
Unveiling Artistic Pathways: The Labour of Dutch Women Artists in the Eighteenth Century.
Article
13.10.2023 | Kojima Kaoru
From the Edo era to the beginning of the 20th century: the artistic education of women painters
Article
13.10.2023 | Kojima Kaoru
Women Nihonga Painters and Bijinga
Article
14.09.2023 | Aby Gaye-Duparc
The Gee’s Bend Quilt Collective: a story of the South
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Exhibition review
06.08.2021 | Louise Thurin
The Power of My Hands – Palms and Fists Raised
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Article
17.11.2019 | Maggie Borowitz
Anything or Nothing: Mira Schendel’s Droguinhas
Exhibition review
28.07.2019 | Manon Burg
Laëtitia Badaut Haussmann: The Performative Poetry of the Habitat
Article
17.07.2019 | Amalia Caputo
Tecla Tofano: A Pioneering Feminist Artist in Venezuela
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
09.02.2019 | Sarah Caillet
Proletarian poetry: a celebration of marginality
Exhibition review
03.12.2018 | Camille Paulhan
