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EN
About
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Index
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Focus
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A Place for Artists
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Events
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At the Villa Vassilieff
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-日本
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について
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Watercolour
Research
97
Interviews
20
Review
88
Artistic Movements
Academic art
1
Subjects
Abstraction
23
Allegory
14
Animals
15
Autobiography
12
Self-portrait
26
Women's status
61
Human body
68
Colour
14
Discriminations
36
Writing
15
Eroticism
8
Feminism
53
Party & nightlife
1
Gender fluidity
4
Geometry
8
War & conflicts
25
History
43
Art history & museum
15
Identity
25
Intimacy
13
Irony
12
Language
14
Light
2
Memory
30
Human migration
11
Nation
5
Nature
22
Still life
7
Nude
22
Landscape
16
Urban landscape
9
Portrait
35
Postcolonialism
19
Queer
4
Racism
12
Domestic scene
9
Sexuality
10
Entertainment
1
Traditions
23
Mediums
Applied arts
17
Ceramic
8
Graphic arts
90
Collage
9
Dessin (ink, pencil…)
36
Engraving & etching
8
Illustration
6
Artist book
8
Pastel
6
Audiovisual
39
Film
9
Video
23
Installation
77
Assemblage
12
[Modes]
19
Site-specific
10
Painting
96
Acrylic
10
Gouache
5
Oil
29
Performance
30
Photography
51
Analogue photography
19
Historical techniques
4
Sculpture
42
Textile
26
Embroidery
7
Countries
Africa
16
South Africa
3
Algeria
3
Congo
1
Egypt
3
Gabon
1
Ghana
2
Kenya
1
Morocco
2
Nigeria
3
Senegal
4
Soudan
1
Tanzania
1
Tunisia
1
Central America and the Caribbean
2
North America
57
Canada
3
United States
50
South America
28
Asia
24
Japan
10
Europe
132
Austria
6
Belgium
6
France
69
Iceland
2
United Kingdom
24
Switzerland
7
Middle East
14
Lebanon
3
Oceania
7
Australia
6
France (New Caledonia)
1
Periods of
activity
17th century
1
18th century
3
1710s
3
1720s
3
1730s
3
1740s
3
1750s
3
1760s
3
1770s
3
1780s
3
1790s
3
19th century
15
1800s
1
1810s
1
1820s
1
1830s
2
20th century
168
1900s
11
1910s
14
1920s
19
1930s
24
1940s
21
1950s
29
1960s
56
1970s
98
1980s
101
1990s
90
21st century
121
2000s
89
2010s
103
2020s
48
Programmes
— Women Artists of the 1960s in Africa
1
— 18th-Century Women Artists
2
— Women Artists in Japan, 19th–21st c.
6
— TEAM: Teaching, E-learning, Agency, Mentoring
14
Article
11.10.2024 | N’Goné Fall
Paving the way: Women artists and Independence in Africa
Article
07.06.2024 | Tomoko Kira
The sisters Shigure and Haruko Hasegawa, and Women’s Art magazine
Article
09.02.2024 | Akiko Mizoguchi & Emalyn
BuBu de la Madeleine’s Mermaid Revolution
Article
26.01.2024 | Paris A. Spies-Gans
Restricted, but not Deterred: How Women Became Artists in the Rulebound Eighteenth Century
Article
20.05.2022 | Sarah Lolley
Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Exhibition review
09.03.2019 | Vanessa Noizet
Ellen Gallagher, black, blue, aqueous
Exhibition review
01.08.2018 | Hélène Gheysens
Maria Lassnig: an epiphany of perception
Exhibition review
06.03.2018 | Adiva Lawrence
Lubaina Himid and the Historically Forgotten
Exhibition review
12.12.2017 | Mathilde Hivert
In the heart of Echo Chamber by Anne-Marie Schneider
Exhibition review
27.12.2016 | Mathilde Bartier
Etel Adnan at the Arab World Institute
Article
31.08.2016 | Marjorie Micucci
Roni Horn and her literary doubles
Exhibition review
16.02.2016 | Adiva Lawrence
Norma by Kara Walker
Archives
of Women Artists
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