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Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
02.08.2024 | Idit Suslik
Material Girls: Performative Corporeality in the Works of Three Pioneer Israeli Artists of the 1970s – Yocheved Weinfeld, Efrat Natan and Adina Bar-On
Article
10.11.2023 | Alexandra Symons Sutcliffe
Dispossessed: Portraiture and Property in the Case of Astrid Proll
Article
27.01.2023 | Andrea Giunta
Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Thesis or dissertation abstract
10.05.2020 | Anna Zielazny
Between socialism and capitalism: woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
31.08.2019 | Mathilde Bartier
Delphine Seyrig, the unbowed
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Report
26.11.2018 | Joséphine Givodan
Elles x Paris Photo: Diversity tested by the market
Exhibition review
24.08.2018 | Camille Viéville
Aenne Biermann at Museum Ludwig: a taste for forms
Exhibition review
16.02.2018 | Aurélie Arena
The Feminist Avant-Gardes of the 1970s in Karlsruhe: A Manifesto Exhibition
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, photographing to resist
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Exhibition review
12.05.2016 | Fanny Verdier
