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Article
07.04.2023 | Miguel A. López
Elena Valera (Bawan Jisbe): Painting Reciprocity with the Land
Interview
16.03.2023 | Ewa Giezek
Learning How to Deal with Traumas with Martha Wilson’s Joy
Interview
03.03.2023 | Ewa Giezek
Joan Semmel: From Sex to Death, a Political Intimacy
Exhibition review
10.02.2023 | Hadas Kedar
Ruth Dorrit Yacoby: The Door to the Secret Garden
Interview
30.09.2022 | Matylda Taszycka
Mira Schor: The Language of Painting
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Article
09.09.2022 | Vesna Vuković
The Feminist Dowry of Dunja Blažević
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Article
20.05.2022 | Sarah Lolley
Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane
Article
05.05.2022 | Kelly-Christina Grant
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Article
04.02.2022 | Fatou Sow Sarr
Women artists and their role in the political struggles of Senegal
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Interview
22.10.2021 | Amelia Jones
Amelia Jones in dialogue with Nancy Buchanan, “Truly for Real”
Interview
24.09.2021 | Miller Schulman
