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Exhibition review
10.02.2023 | Hadas Kedar
Ruth Dorrit Yacoby: The Door to the Secret Garden
Interview
13.01.2023 | Marion Vignal
Valeria Napoleone: Collecting Community
Interview
30.09.2022 | Matylda Taszycka
Mira Schor: The Language of Painting
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Article
09.09.2022 | Vesna Vuković
The Feminist Dowry of Dunja Blažević
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Interview
24.06.2022 | Marion Vignal
Women artists through the eyes of Floriane de Saint Pierre
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Article
20.05.2022 | Sarah Lolley
Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane
Article
05.05.2022 | Kelly-Christina Grant
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
Exhibition review
22.04.2022 | Adélie Leguen
New Time: Art and Feminisms in the 21st Century
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Interview
07.01.2022 | Fatoş Irwen & Ceren Özpınar
Fatoş Irwen: Corporeal Forms of Collective Memory
Article
24.12.2021 | Somayeh Noori Shirazi
Haptic Visuality and Experience: Embodied Ways of Seeing in Ghazaleh Hedayat’s Artworks
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Interview
22.10.2021 | Amelia Jones
