Taeko Tomiyama - AWARE

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A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era - AWARE
21.04.2023 | Yukiko Yokoyama

A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era
Exhibition review
Ruth Dorrit Yacoby: The Door to the Secret Garden - AWARE
10.02.2023 | Hadas Kedar

Ruth Dorrit Yacoby: The Door to the Secret Garden
Article
Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries - AWARE
27.01.2023 | Andrea Giunta

Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries
Article
Experience as an Affective Methodology of Investigation - AWARE
23.09.2022 | María Laura Rosa

Experience as an Affective Methodology of Investigation
Article
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions - AWARE
08.07.2022 | Nadia Radwan

Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Article
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day - AWARE
05.05.2022 | Kelly-Christina Grant

African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
Interview
Fatoş Irwen: Corporeal Forms of Collective Memory - AWARE
07.01.2022 | Fatoş Irwen & Ceren Özpınar

Fatoş Irwen: Corporeal Forms of Collective Memory
Interview
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice - AWARE
12.11.2021 | Mai Dengsøe

On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Interview
Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico - AWARE
24.09.2021 | Miller Schulman

Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico
Interview
Doris Salcedo: From Singular Identity to Collective Historiography - AWARE
31.10.2020 | Doris Salcedo & Carolina Ariza

Doris Salcedo: From Singular Identity to Collective Historiography
Interview
Ishiuchi Miyako: Photography as a Trace - AWARE
11.07.2020 | Anaïs Roesch & Matylda Taszycka

Ishiuchi Miyako: Photography as a Trace
Exhibition review
Betye Saar, from assemblage to resistance - AWARE
26.01.2020 | Adiva Lawrence

Betye Saar, from assemblage to resistance
Exhibition review
Women Artists and the Works of Marta Pan: Plural Trajectories - AWARE
26.10.2019 | Valentin Gleyze

Women Artists and the Works of Marta Pan: Plural Trajectories
Article
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books - AWARE
07.09.2019 | Madeline Murphy Turner

The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Exhibition review
Simone Fattal: Unearthed History - AWARE
09.06.2019 | Mathilde Hivert

Simone Fattal: Unearthed History
Exhibition review
Ellen Gallagher, black, blue, aqueous - AWARE
09.03.2019 | Vanessa Noizet

Ellen Gallagher, black, blue, aqueous
Article
Younousse Seye: The Making of a Pan-African Woman Artist in Post-Independence Senegal - AWARE
15.12.2018 | Judith Rottenburg

Younousse Seye: The Making of a Pan-African Woman Artist in Post-Independence Senegal
Thesis or dissertation abstract
“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict - AWARE
18.11.2018 | Margot E. Yale

“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict

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