Articles
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Interview
07.01.2022 | Fatoş Irwen & Ceren Özpınar
Fatoş Irwen: Corporeal Forms of Collective Memory
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Interview
24.09.2021 | Miller Schulman
Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico
Interview
31.10.2020 | Doris Salcedo & Carolina Ariza
Doris Salcedo: From Singular Identity to Collective Historiography
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Article
07.09.2019 | Madeline Murphy Turner
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
09.03.2019 | Vanessa Noizet
Ellen Gallagher, black, blue, aqueous
Article
15.12.2018 | Judith Rottenburg
Younousse Seye: The Making of a Pan-African Woman Artist in Post-Independence Senegal
Thesis or dissertation abstract
18.11.2018 | Margot E. Yale
“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict
Article
08.09.2018 | Émilie Goudal
Warding off Disappearance, Getting Beyond Icons: The (Counter-)Visuality of Algerian Women
Exhibition review
15.07.2018 | Adiva Lawrence
Otobong Nkanga: Memory Constellations
Exhibition review
01.05.2018 | Mathilde Bartier
In Search of Ceija Stojka, Roma Artist and Survivor of the Camps
Exhibition review
14.04.2018 | Camille Viéville
Susan Meiselas: Stretching the Photographic Moment
Exhibition review
17.03.2018 | Mathilde Hivert
The Game of Life by Charlotte Salomon
Exhibition review
06.03.2018 | Adiva Lawrence
