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Index
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について
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Photography
Research
127
Interviews
20
Review
88
Fields
Visual arts
12
Artistic Movements
Appropriationism
1
Conceptual art
11
Body art
1
Artist collective
20
New Objectivity
1
Surrealism
6
Symbolism
3
Subjects
Abstraction
24
Animals
18
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12
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14
Self-portrait
28
Body positivity
1
Political issues
65
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11
Women's status
70
Consumerism
9
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71
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15
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40
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13
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15
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17
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8
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9
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13
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58
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5
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6
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8
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26
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50
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24
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35
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4
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13
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11
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14
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1
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2
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16
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2
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7
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38
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12
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5
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6
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30
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7
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22
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23
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12
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5
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36
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25
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1
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2
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5
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13
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12
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11
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5
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10
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1
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29
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11
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11
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4
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13
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33
Aging
1
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19
Lesbian visibility
3
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5
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2
Mediums
Graphic arts
94
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14
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10
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38
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9
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8
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7
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8
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1
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45
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9
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5
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26
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3
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82
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3
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14
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7
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2
[Modes]
19
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21
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9
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108
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11
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7
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35
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36
Photography
58
Analogue photography
23
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8
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2
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4
Historical techniques
5
Sculpture
46
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2
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4
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31
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10
Weaving
8
Countries
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20
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3
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3
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1
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1
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1
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4
North America
61
United States
53
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8
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32
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9
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12
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4
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1
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7
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2
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3
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32
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3
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4
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15
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143
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20
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6
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7
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2
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7
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75
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6
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2
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14
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2
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1
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3
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4
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25
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7
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16
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2
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2
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4
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3
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2
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5
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7
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6
Periods of
activity
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2
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3
18th century
6
19th century
20
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3
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3
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3
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4
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3
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4
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5
1870s
5
1880s
9
1890s
11
20th century
190
1900s
14
1910s
17
1920s
23
1930s
31
1940s
29
1950s
34
1960s
66
1970s
109
1980s
110
1990s
99
21st century
132
2000s
97
2010s
112
2020s
57
Programmes
— Women Artists in Japan, 19th–21st c.
10
— AWARE x Luxembourg
1
— Rewriting Art History in the Americas
10
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
6
— TEAM: Teaching, E-learning, Agency, Mentoring
17
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Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Interview
07.01.2022 | Fatoş Irwen & Ceren Özpınar
Fatoş Irwen: Corporeal Forms of Collective Memory
Interview
24.09.2021 | Miller Schulman
Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico
Article
20.08.2021 | Aurella Yussuf
The Women of the British Black Arts Movement
Exhibition review
06.08.2021 | Louise Thurin
The Power of My Hands
– Palms and Fists Raised
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Thesis or dissertation abstract
10.05.2020 | Anna Zielazny
Between socialism and capitalism: woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
Exhibition review
26.04.2020 | Valentin Gleyze
Claudia Andujar: Photographing As We Struggle
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Interview
11.12.2019 | Liberty Adrien, Juliette Pollet & Marie Chênel
La Houle
[The Swell]: First Research on the Place of Women Artists in the Collections of the Centre National des Arts Plastiques
Article
17.11.2019 | Maggie Borowitz
Anything or Nothing: Mira Schendel’s
Droguinhas
Thesis or dissertation abstract
21.09.2019 | Sherena Razek
Decolonizing Documentary Photography: The Rawiya Collective in Palestine
Exhibition review
31.08.2019 | Mathilde Bartier
Delphine Seyrig, the unbowed
Report
25.07.2019 | Ariane Fleury
Fifty Years and almost 50%: An Overview of Female Photographers at Rencontres d’Arles 2019
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Article
12.06.2019 | Lara Demori
Maternal artivism: a brief overview of Latin American women artists in the eighties
Exhibition review
11.05.2019 | Hanna Alkema
Shadows & spaces for mental projection: Lourdes Castro, Ulla von Brandenburg & Laura Lamiel in Occitanie
Thesis or dissertation abstract
06.04.2019 | Karolina Wilczyńska
Trying to Fulfil the Political Promise: The Hackney Flashers and British Socially Engaged Art in the 1970s
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