Articles
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Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Exhibition review
22.06.2019 | Mathilde Bartier
Takako Saito: playful art
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
11.05.2019 | Hanna Alkema
Shadows & spaces for mental projection: Lourdes Castro, Ulla von Brandenburg & Laura Lamiel in Occitanie
Thesis or dissertation abstract
04.05.2019 | Margot Eben
Being a woman sculptor in the first half of the 20th century: the case of Claire J. R. Colinet
Thesis or dissertation abstract
06.04.2019 | Karolina Wilczyńska
Trying to Fulfil the Political Promise: The Hackney Flashers and British Socially Engaged Art in the 1970s
Exhibition review
09.03.2019 | Vanessa Noizet
Ellen Gallagher, black, blue, aqueous
Article
24.02.2019 | Camille Viéville
New Pathways, New Voices. Women Painters and Self-Portraiture in Early 20th Century Europe
Thesis or dissertation abstract
15.02.2019 | Sophie Leromain
Gabrielle Hébert, a woman photographer and painter’s wife
Exhibition review
09.02.2019 | Sarah Caillet
Proletarian poetry: a celebration of marginality
Thesis or dissertation abstract
19.01.2019 | Marine Picard
Germaine Richier and the Performance of Female Subjectivity and Agency
Article
12.01.2019 | Nathalie Ernoult
Three Scandinavian surrealist women artists in Paris
Exhibition review
20.12.2018 | Sarah Caillet
Lee Bul: The Topography of Utopia
Thesis or dissertation abstract
09.12.2018 | Ana Bordenave
The Sorcières Review (1975-1982): a space for for feminist representation marrying the visual arts and litterature
Exhibition review
03.12.2018 | Camille Paulhan
Paula Rego: Once Again Becoming Sublimely Unjust
Report
26.11.2018 | Joséphine Givodan
Elles x Paris Photo: Diversity tested by the market
Thesis or dissertation abstract
18.11.2018 | Margot E. Yale
“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict
Exhibition review
04.11.2018 | Mathilde Bartier
