Articles
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Article
10.03.2021 | Gabriela Salgado
With the kings’ permission – Bisi Silva
Article
13.12.2020 | Mae-ling Lokko
Worldforming by Ghanaian Women in Architecture
Interview
31.10.2020 | Doris Salcedo & Carolina Ariza
Doris Salcedo: From Singular Identity to Collective Historiography
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Exhibition review
07.06.2020 | Anaïs Roesch
“What may ultimate reality be?”
Exhibition review
26.04.2020 | Valentin Gleyze
Claudia Andujar: Photographing As We Struggle
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
14.02.2020 | Matylda Taszycka
Hand-to-hand with Miriam Cahn
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Exhibition review
09.11.2019 | Elena Cardin
Maria Lai: The Infinite Thread of Imagination
Exhibition review
13.10.2019 | Mathilde Bartier
Helen Frankenthaler: the triumph of colour
Thesis or dissertation abstract
21.09.2019 | Sherena Razek
Decolonizing Documentary Photography: The Rawiya Collective in Palestine
Exhibition review
15.09.2019 | Adélie Le Guen
The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism
Exhibition review
28.07.2019 | Manon Burg
Laëtitia Badaut Haussmann: The Performative Poetry of the Habitat
Report
25.07.2019 | Ariane Fleury
Fifty Years and almost 50%: An Overview of Female Photographers at Rencontres d’Arles 2019
Report
06.07.2019 | Magali Le Mens
“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists.
Exhibition review
22.06.2019 | Mathilde Bartier
