Press reviews — Page 5 of 8

18.08.2020 | Widewalls

6 Important Women Artists of the 1920s Montparnasse

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13.08.2020 | Le Journal des Arts

Judit Reigl (1923 – 2020)

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10.08.2020 | The Art Newspaper

Écriture et alchimie d’Irma Blank

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02.08.2020 | Libération

Tiphaine Calmettes, le goût d’apprendre

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10.07.2020 | The Art Newspaper

Women artists to dominate Tate’s 2021 solo shows

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09.07.2020 | The Cut

A New $10,000 Grant For Black Trans Women Artists

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08.07.2020 | Switch on Paper

Les natures vivantes d’Irene Kopelman

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27.06.2020 | The Guardian

Art ‘We should question it’: galleries and museums uneasy about old masters

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26.06.2020 | The Art Newspaper

Latifa Echakhch : « Je m’intéresse surtout à l’évocation du performatif »

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25.06.2020 | ArtDaily.com

Baltimore Museum of Art acquires works by women artists and extends 2020 vision

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25.06.2020 | Culture Type

Brazilian Artist Sonia Gomes: ‘My Work is Black, It is Feminine, and It is Marginal’

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24.06.2020 | Artsy

With Kitsch and Eroticism, Somaya Critchlow Confronts the Politics of the Black Nude

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24.06.2020 | The New York Times

Nine Black Artists and Cultural Leaders on Seeing and Being Seen

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10.06.2020 | Slate

Les femmes restent sous-représentées dans les musées

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30.05.2020 | France Culture

Louise Bourgeois, “une femme enragée et agrippée”

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29.05.2020 | Apollo

The sophisticated still lifes of Giovanna Garzoni

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29.05.2020 | ARTNews

How Carmen Herrera Became One of Art History’s Most Celebrated Abstractionists

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29.05.2020 | China Underground

Interview with Artist & Photographer Xing Danwen

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Press review

6 Important Women Artists of the 1920s Montparnasse

Judit Reigl (1923 – 2020)

Écriture et alchimie d’Irma Blank

Tiphaine Calmettes, le goût d’apprendre

Women artists to dominate Tate’s 2021 solo shows

A New $10,000 Grant For Black Trans Women Artists

Les natures vivantes d’Irene Kopelman

Art ‘We should question it’: galleries and museums uneasy about old masters

Latifa Echakhch : « Je m’intéresse surtout à l’évocation du performatif »

Baltimore Museum of Art acquires works by women artists and extends 2020 vision

Brazilian Artist Sonia Gomes: ‘My Work is Black, It is Feminine, and It is Marginal’

With Kitsch and Eroticism, Somaya Critchlow Confronts the Politics of the Black Nude

Nine Black Artists and Cultural Leaders on Seeing and Being Seen

Les femmes restent sous-représentées dans les musées

Louise Bourgeois, “une femme enragée et agrippée”

The sophisticated still lifes of Giovanna Garzoni

How Carmen Herrera Became One of Art History’s Most Celebrated Abstractionists

Interview with Artist & Photographer Xing Danwen

Archives
of Women Artists
Research
& Exhibitions

A W A R E

AWARE

AWARE

Press review

6 Important Women Artists of the 1920s Montparnasse

Judit Reigl (1923 – 2020)

Écriture et alchimie d’Irma Blank

Tiphaine Calmettes, le goût d’apprendre

Women artists to dominate Tate’s 2021 solo shows

A New $10,000 Grant For Black Trans Women Artists

Les natures vivantes d’Irene Kopelman

Art ‘We should question it’: galleries and museums uneasy about old masters

Latifa Echakhch : « Je m’intéresse surtout à l’évocation du performatif »

Baltimore Museum of Art acquires works by women artists and extends 2020 vision

Brazilian Artist Sonia Gomes: ‘My Work is Black, It is Feminine, and It is Marginal’

With Kitsch and Eroticism, Somaya Critchlow Confronts the Politics of the Black Nude

Nine Black Artists and Cultural Leaders on Seeing and Being Seen

Les femmes restent sous-représentées dans les musées

Louise Bourgeois, “une femme enragée et agrippée”

The sophisticated still lifes of Giovanna Garzoni

How Carmen Herrera Became One of Art History’s Most Celebrated Abstractionists

Interview with Artist & Photographer Xing Danwen

Archives of Women Artists Research & Exhibitions

A
W A
R
E

Archives
of Women Artists
Research
& Exhibitions