Resources

Bibliography

Dictionaries

BAILE DE LAPERRIERE Charles, SODEN Joanna, The Society of Women Artists Exhibitors, 1855-1996: A Dictionary of Artists and Their Works in the Annual Exhibitions of the Society of Women Artists, Calne Wiltshire, Hilmarton Manor Press, 1996

CHIARMONTE Paula, Women Artists in the United States: A Selective Bibliography and Resource Guide on the Fine and Decorative Arts, 1750-1986, Boston (Mass.), G.K. Hall, 1990

DIDIER Beatrice, FOUQUE Antoinette (ed.), Le dictionnaire universel des créatrices, Paris, Éditions des femmes, 2013*

GAZE Delia (ed.), Dictionary of Women Artists, London, Routledge, 1997*

HELLER Nancy, HELLER Jules, North American Women Artists of the Twentieth Century: a Biographical Dictionary, New York, Garland, 1995

MOE Louisa, Female Artists, Past and Present, Berkeley, California, Women’s History Research Center, 1974

PETTEYS Chris (ed.), Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900, Boston, G. K. Hall, 1985*

SANCHEZ Pierre, Dictionnaire de l’Union des femmes peintres et sculpteurs, Dijon, Éditions l’Échelle de Jacob, 2010

Bibliographies

LANGER Cassandra, Feminist Art Criticism: An Annotated Bibliography, New York, G.K Hall, 1993*

MCCRAKEN Penny, Women Artists and Designers in Europe Since 1800: An Annotated Bibliography, New York/London, G.K. Hall Library Reference/Prentice Hall International, 1998

PILAND Sherry, BACHMANN Donna, Women Artists: An Historical, Contemporary, and Feminist Bibliography, Metuchen (New Jersey), Scarecrow Press, 1994

General references

BARLOW Margaret, Women Artists, New York, Universe, 2008

BARTOLENA Simona, GIORDONO Ida, Femmes artistes. De la Renaissance au XXI^e siècle, Paris, Gallimard, 2006

BORZELLO Frances, A World of Our Own: Women as Artists, New York, Watson-Guptill, 2000

BUCHHOLZ Elke Linda, Women Artists, New York, Prestel, 2003

DUMAS Marie-Hélène, Femmes et art au XX^e siècle : le temps des défis, Paris, Lunes, 2000*

EPRON Nathalie, Création, où sont les femmes ?, Paris, Terres d’éclat, 2004

GROSENICK Uta, Women Artists. Femmes artistes du XX^e et du XXI^esiècle, Cologne, Taschen, 2001*

HELLER Nancy, Women Artists: An Illustrated Story, New York, Abbeville Press, 2003

MANCOFF Debra, Danger! Women Artists at Work, London, Merrell Publishers, 2014*

MORINEAU Camille, Artistes femmes : de 1905 à nos jours, Paris, Centre Pompidou, 2010*

PETERSEN Karen, WILSON J.J., Women Artists: Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century, New York, New York University Press, 1976

TUFTS Eleanor, Our Hidden Heritage: Five Centuries of Women Artists, New York, Paddington Press, 1975

WEIDEMANN Christiane, LARASS Petra, KLIER Melanie, 50 Women Artists You Should Know, Munich, Prestel, 2010*

Art history and feminism

Art theory

BROUDE Norma, GARRARD Mary, Feminism and Art History: Questioning the Litany, New York, Harper & Row, 1982

COTTINGHAM Laura, Combien de « sales » féministes faut-il pour changer une ampoule ? Antiféminisme et art contemporain, Lyon, ED. Tahin Party, 2000

DUMONT Fabienne, SOFIO Séverine, « Esquisse d’une épistémologie de la théorisation féministe en art », Cahiers du Genre, 2/2007 (n^o 43), p. 17-43, (http://www.cairn.info/revue-cahiers-du-genre-2007-2-page-17.htm)

DUMONT Fabienne, La rébellion du Deuxième Sexe : L’histoire de l’art au crible des théories féministes anglo-américaines (1970-2000), Dijon, Les presses du réel, 2011*

FERRER Mathilde, MICHAUD Yves (ed.), Féminisme, art et histoire de l’art, Paris, École nationale supérieure des Beaux-Arts, 1994

HEDLIN HAYDEN Malin, SJOHOLM SKRUBBE Jessica, Feminisms Is Still Our Name: Seven Essays on Historiography and Curatorial Practices, Newcastle, Cambridge Scholars, 2010

HEIN Hilde, KORSMEYER Carolyn, Aesthetics in Feminist Perspective, Bloomington, Indiana University Press, 1993

JONES Amelia (ed.), Sexual Politics: Judy Chicago’s “Dinner Party” in Feminist Art History, Los Angeles, UCLA, 1996

LIPPARD Lucy, From the Center: Feminist Essay on Women’s Art, New York, Dutton Press, 1976*

PARKER Rozsika, POLLOCK Griselda, Framing Feminism: Art and the Women’s Movement 1970-1985, Pandora Press, 1987

PARKER Rozsika, POLLOCK, Griselda, Old Mistresses: Women, Art and Ideology, London, Pandora Press, 1995*

POLLOCK Griselda, Vision and Difference: Femininity, Feminism and Histories of Art, London, New York, Routledge, 1988

POLLOCK, Griselda, Differencing the Canon: Feminist Desire and the Writing of Art’s Histories, London, New York, Routledge, 1999*

ROBINSON Hilary, Feminist Art Theory: An Anthology 1968-2000, Oxford, Blackwell, 2001*

Art critic

ANDRIN Muriel, BROGNIEZ Laurence, Femmes et critique(s) : lettres, arts, cinéma, Namur, Presses universitaires de Namur, 2009

DALLIER-POPPER Aline, Art, féminisme, post-féminisme : un parcours de critique d’art, Paris, L’Harmattan, 2009*

DEEPWELL Katy, New Feminist Art Criticism: Critical Strategies, Manchester, Manchester University Press, 1995

D’SOUZA Aruna, Self and History: A Tribute to Linda Nochlin, New York, Thames & Hudson, 2001

FREDRICKSON Kristen, WEBB Sarah (ed.), Singular Women: Writing the Artist, Berkeley, University of California Press, 2003

MASTAI Judith, Mary Kelly and Griselda Pollock in Conversation at the Vancouver Art Gallery, June 1989, Vancouver, Vancouver Art Gallery, 1992

REILLY Maura, Women Artists: the Linda Nochlin Reader, London, Thames & Hudson, 2015

Feminist art

COTTINGHAM Laura, Vraiment : féminisme et art, exh. cat., Magasin, Centre National d’Art Contemporain de Grenoble, 1997

GAUTHIER Julie, Esthétique du féminin et art féministe : la question du genre dans l’art contemporain (en Europe et aux États-Unis de 1960 à nos jours), Thèse de doctorat, Université Panthéon-Sorbonne (Paris), 2005

JOSSE Béatrice, 2 ou 3 choses que j’ignore d’elles : pour un manifeste post-féministe, exh. cat., Metz, Fonds régional d’art contemporain de Lorraine, (11 avril – 17 juin 2007), 2008*

LAVIGNE Julie, La traversée de la pornographie, politique et érotisme dans l’art féministe, Montréal, Les Editions du Remue-Ménage, 2014

RECKITT Helena, PHELAN Peggy, Art et féminisme, Phaidon Press, 2005

REILLY Maura, NOCHLIN Linda (ed.), Global Feminisms: New Directions in Contemporary Art, exh. cat., Brooklyn, Brooklyn Museum, (23 mars – 1er juillet 2007), Wellesley (Mass.), Davis Museum and Cultural Center, Wellesley College, (19 sept. – 9 déc. 2007), London / New York / Brooklyn, Merrell / Brooklyn Museum, 2007*

MARK Lisa, BUTLER Cornelia (ed.), Wack ! Art and the Feminist Revolution, exh. cat., Los Angeles, Museum of Contemporary Art, (4 mars – 16 juillet 2007), Washington, National Museum of Women in the Arts, (21 sept. – 16 déc. 2007), New York, Institute for Contemporary Art, (1er fév. -30 juin 2008), Vancouver, Vancouver Art Gallery (4 oct. 2008 – 18 janv. 2009), Los Angeles / Cambridge, The Museum of Contemporary art / MIT Press, 2007*

WESTEN Mirjam, Rebelle, Art & Feminisme, Arnhem, Museum voor Moderne Kunst Arnhem, 2009

ZEGLIN BRAND Peggy, KORSMEYER Carolyn, Feminism and Tradition in Aesthetics, Pensylvania State University, 1995

Art history and gender

ALIAGA Juan Vicente (ed.), A batalla dos xéneros / Gender Battle, exh. cat., Galicia, Centro Galego de Arte Contemporánea (13 septembre – 9 décembre 2007), 2007

BRIDET Guillaume, TOMICHE Anne, Genres et avant-gardes, Paris, Harmattan, 2012

BUSCATTO Marie, LEONTSINI Mary (ed.), « La reconnaissance artistique à l’épreuve des stéréotypes de genre », Sociologie de l’Art, opus 18, Paris, L’Harmattan, 2011

DEKEL Tal, Gendered: Art and Feminist Theory, Newcastle, Cambridge Scholars Pub., 2013

LARUE Anne, Histoire de l’art d’un nouveau genre, Paris, Max Milo Editions, 2014

PEARL Lydie, Corps, sexe et art : dimension symbolique, Paris, L’Harmattan, 2001

PERRY Gillian, Gender and Art, London, Yale University Press, 1999

POLLOCK Griselda, Avant-Garde Gambits 1888-1893: Gender and the Color of Art History, London, Thame and Hudson, 1992

ROULAND Norbert, À la découverte des femmes artistes : une histoire de genre, Aix-en-Provence, Presses universitaires d’Aix-Marseille, 2016

SOFIO Séverine, YAVUZ Perin Emel, MOLINIER Pascale (ed.), Genre, féminisme et valeur de l’art, Cahiers du genre, n°43/2007, Paris, L’Harmattan, 2007*

Women, art and society

ASHBURN Elizabeth, Lesbian Art: An Encounter with Power, Craftsman House, Roseville East, New South Wales, 1996

CARSON Fiona, PAJACZKOWSKA Claire, Feminist Visual Culture, Edinburgh, Edinburgh University Press, 2000

CHADWICK Whitney, Women, Art, and Society, London, Thames & Hudson, 1997*

CHEVALLIER Denis, Au bazar du genre : féminin-masculin en Méditerranée, exh. cat., Marseille, musée des civilisations de l’Europe et de la Méditerranée, (du 7 juin 2013 au 6 janvier 2014), Paris, Textuel, 2013

DELCOURT Thierry, Artiste féminin singulier, Lausanne, L’âge d’homme, 2009*

DUMONT Fabienne, « Les limites d’une évaluation chiffrée au regard de la fabrique des valeurs », Histoire & mesure [En ligne], XXIII – 2 | 2008, mis en ligne le 01 décembre 2011. URL : http://histoiremesure.revues.org/3733

FIDECARO Agnese, LACHAT Stéphanie, Profession : créatrices. La place des femmes dans le champ artistique, Lausanne, Ed. Antipodes, 2007

GARB Tamar, Sisters of the Brush. Women’s Artistic Culture in Late Nineteenth-Century Paris, New Heaven/Londres, Yale University Press, 1994*

GONNARD Catherine, « La professionnalisation des artistes femmes à travers l’action de l’UFPS et de la FAM, 1881-1939 » dans GRACEFFA, Agnès (ed.), Vivre de son art : histoire du statut de l’artiste, XV^e-XXI^e siècle, Paris, Hermann, 2012, p. 121-138

JONES Amelia, The Feminism and Visual Culture Reader, London / New York, Routledge, 2003*

MORINEAU Camille, Elles@centrepompidou : artistes femmes dans la collection du musée national d’art moderne, centre de création industrielle, exh. cat., Paris, Centre Pompidou, (27 mai 2009 – 24 mai 2010), Paris, éditions du Centre Pompidou, 2009*

PENNY, Florence, Sexed Universals in Contemporary Art, London, Allworth Press, 2004

PERRY Gill, Difference and Excess in Contemporary Art: The Visibility of Women’s Practice, Oxford, John Wiley & sons, 2004

POLLOCK Griselda, Encounters in The Virtual Feminist Museum: Time, Space, and the Archive, London, Routledge, 2007

VIGROUX Perrine, Les femmes à l’Académie royale de peinture et de sculpture (1663-1793) : sociabilité, pratique artistique et réception, under the supervision of Michèle-Caroline Heck, Phd thesis, Montpellier, Université Paul Valéry, 2016

Before 1789

YASUI Hiroo, Créer au féminin : femmes artistes du siècle de Madame Vigée Le Brun, exh. cat., Mitsubishi Ichigokan Museum, Tokyo (1 March – 8 May 2011), Tokyo, Mitsubishi Ichigokan Museum, 2011

19th century

CHERRY Deborah & HELLAND Janice (ed.), Local/Global: Women Artists in the Nineteenth Century, Aldershot, Ashgate, 2006.

FOUCHER ZARMANIAN Charlotte, Créatrices en 1900 : femmes artistes en France dans les milieux symbolistes, Paris, Mare et Martin, 2016*

MARSH Jan, GERRISH NUNN Pamela, Pre-Raphaelite Women Artists, New York, Thames & Hudson, 1999

THOMAS Alison, Portraits of Women: Gwen John and her Forgotten Contemporaries, Cambridge, Polity Press, 1994

TRIEF-TOUCHARD Emmanuelle, Femmes & artistes XIX^esiècle : à travers les collections du musée Roybet Fould, Courbevoie, musée Roybet-Fould, 2014

SOFIO Séverine, Artistes femmes. La parenthèse enchantée, XVIII^e-XIX^e siècles, Paris, Éditions du CNRS, collection « Culture et Société », 2016*

1905-1945

BONNET Marie-Jo, Les femmes artistes dans les avant-gardes, Éd. Odile Jacob, 2006*

BOWLT John E, DRUTT Matthew (ed.), Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and Nadezhda Udaltsova, exh. cat., New York, Guggenheim Museum, 2004, URL : https://archive.org/details/amazonsofavantga00exte

BROWN Karen, Women’s Contributions to Visual Culture: 1918-1939, Aldershot, Ashgate, 2008

DEEPWELL Katy, Women Artists Between the Wars: “A Fair Field and No Favour”, New York / Manchester, Palgrave Macmillan / Manchester University Press, 2010

HEMUS Ruth, Women of the Avant-Garde 1920-1940, Humlebæk, Louisiana Museum of Modern Art, 2012*

MARCADÉ Jean-Claude, VASSUNTINSKY-MARCACE Valentine, L’avant-garde au féminin : Moscou, Saint-Pétersbourg, Paris, 1907-1930, Paris, Artcurial, 1983

MEYER-BUSER Susanne, The Other Side of the Moon: Women Artists of the Avant-Garde, Köln, Dusseldorf, Dumont, Kunstsammlung Nordrhein-Westfalen, 2011

MULLER Ulrike, Bauhaus Women: Art, handicraft, Design, Paris, Flammarion, 2009

PERRY Gill, Women Artists and the Parisian Avant-Garde: Modernism and “Feminine Art”, 1900 to the Late 1920s, Manchester, Manchester University Press, 1995

VERGINE Lea, L’autre moitié de l’avant-garde : 1910-1940, Paris, Éditions des Femmes, 1982*

SAWELSON – GORSE, Naomi (ed.), Women in Dada: Essays on Sex, Gender, and Identity, Cambridge, MIT Press, 2001

1945-1980

ALLOWAY Lawrence, “Women’s Art in the ‘70s”, Art in America 64, n^o 3, mai-juin 1976, p. 64-72

COTTINGHAM Laure, Seeing Through the Seventies: Essays on Feminism and Art, Amsterdam, G+B arts, 2000

HEARTNEY Eleanor, PROSNER Helaine, PRINCENTHAL Nancy, After the Revolution: Women Who Transformed Contemporary Art, Munich, Prestel, 2007*

HESS Thomas B., BAKER Elizabeth C., Art and Sexual Politics: Women’s Liberation, Women Artists, and Art History, New York, Macmillan, 1973

ROSEN Randy, Making Their Mark: Women Artists Move Into the Mainstream, 1970-85, New York, Abbeville Press Publishers, 1989

SACHS Sid & MINIOUDAKI Kalliopi, Seductive Subversion. Women Pop Artists, 1958-1968, exh. cat., Philadelphia/New York, University of the Arts/Abbeville Press Publishers, 2010*

1980 to present

ARMSTRONG Carol, DE ZEGHER Catherine, Women Artists at the Millennium, Chicago, The University of Chicago Press, 2006

HEARTNEY Eleanor, PROSNER Helaine, PRINCENTHAL Nancy, The Reckoning: Women Artists of the New Millennium, Munich, Prestel, 2013

ZELEVANSKY Lynn, Sense and Sensibility: Women Artists and Minimalism in the Nineties, exh. cat., New York, Museum of Modern Art, (16 juin-11 septembre 1995), 1995

Africa

EYENE Christine (ed.), Africultures, numéro spécial « L’Art au Féminin : approches contemporaines », 2011/3, n° 85*

HASSAN Salah (ed.), Gendered Visions: The Art of Contemporary Africana Women Artists, Trenton (NJ), Africa World Press, 1997*

KOUOH Koyo (ed.), Body Talk, Feminism, Sexuality and the Body in the Work of Six African Women Artists / Féminisme, sexualité́ et corps dans l’œuvre de six artistes africaines, exh. cat., Bruxelles, Wiels (14 février – 3 mai 2015), Lund, Lunds konsthall (30 mai – 29 septembre 2015), Metz, 49 Nord 6 Est, Frac Lorraine (30 octobre 2015-17.01.2016), Dakar, RAW Material Compagny, 2015

LADUKE Betty (ed.), Africa through the Eye of Women Artists, New Jersey, African World Press, 1991*

THOMSON Barbara (ed.), Black Womanhood, Images, Icons and Ideologies of the African Body, Washington, University of Washington Press, 2008

SILVA Bisi (ed.), n‧paradoxa, numéro spécial « Africa and its Diasporas », volume 31, janvier 2013*

WILLIS Deborah (ed.), Black Venus 2010: They Called Her “Hottentot”, Philadelphia, Temple University Press, 2010

South Africa

ARNOLD Marion, SCHMAHMANN Brenda (ed.), Between Union and liberation: Women Artists in South Africa 1910-1994, Aldershot, Ashgate, 2005*

ARNOLD Marion, Women and Art in South Africa, Cape Town / New York, David Philip / St Martin’s Press, 1996

SCHMAHMANN Deborah, Through the Looking Glass – Representation of Self by South African Women Artists, David Krut Publishing, 2004

North America

PRIETO Laura R., At Home in the Studio, The Professionalization of Women Artists in America, Cambridge (Mass.) / London, Harvard University Press, 2001

Canada

ARBOUR Rose Marie, DALLIER Aline, Art et féminisme, exh. cat., Musée d’art contemporain, Montréal (11 mars – 2 mai 1982), Québec, Ministère des Affaires culturelles, 1982

ARBOUR Rose Marie, Déclics, art et société : le Québec des années 1960 et 1970, Québec, musée de la civilisation, 1999

ARBOUR Rose-Marie, Le champ de l’art moderne et les femmes artistes au Québec dans les années 1960, Chicoutimi, J.-M. Tremblay, 2007

BOUTILLIER Alicia Anne, BRUCE Tobi, The Artist Herself: Self-Portraits by Canadian Historical Women Artists / L’artiste elle-même : autoportraits de femmes artistes au Canada, Kingston / Hamilton, Agnes Etherington Art Centre / Art Gallery of Hamilton, 2015

GRAHAM Mayo, Some Canadian Women Artists / Quelques artistes Canadiennes, Ottawa, Galerie Nationale du Canada, 1975

HUNEAULT Kristina, Rethinking Professionalism: Women and Art in Canada, 1850-1970, Montréal, McGill-Queen’s Univ. Press, 2012

SCOTT KARDOSH Judy, BOYD Leslie, Women of the North: An Exhibition of Art by Inuit Women of the Canadian Arctic: Sculptures, Drawings, Wall Hangings, Costumes, Dolls, exh. cat., Vancouver, Marion Scott Gallery, 1992

TIPPETT Maria, By A Lady: Celebrating Three Centuries of Art by Canadian Women, Toronto / New York, Penguin books, 1993

TREPANIER Esther, Femmes artistes du XX^e siècle au Québec : œuvres du Musée national des beaux-arts du Québec, cat. expo, Musée national des beaux-arts du Québec (7 mai-16 août 2009 / 17 juin-10 octobre 2010), Québec, Musée national des beaux-arts du Québec, 2010

United States

BLOOM Lisa, Jewish Identities in American Feminist Art: Ghosts of Ethnicity, New York/London, Routledge, 2006

BURGESS FULLER Diana, Art, Women, California 1950-2000. Parallels and Intersections, Berkeley, University of California Press, 2002

CALVIN Paula, DEACON Deborah, American Women Artists in Wartime, 1776-2010, Jefferson, MacFarland & Cie., 2011

COLLINS Jim, OPITZ Glenn, Women Artists in America: 18th Century to the Present (1790-1980), Poughkeepsie, Apollo, 1980

COLLINS Lisa Gail, The Art of History. African American Women Artists Engage the Past, New Brunswick/London, Rutgers University Press, 2001*

HAMMOND Harmony, Lesbian Art in America: A Contemporary History, New York, Rizzoli International Publications, 1999

INGLOT Joanna, Warm: A Feminist Art Collective in Minnesota, Minneapolis, Weisman art Museum, 2006

KIRSCHKE, Amy Helene (ed.), Women Artists of the Harlem Renaissance, University Of Mississippi, 2016

KORT Carol, SONNEBORN Liz, A to Z of American Women in the Visual Arts, New York, Facts on File, 2002

LANGA Helen, WISOTZKI Paula, American Women Artists, 1935-1970: Gender, Culture, And Politics, Burlington, Ashgate, 2015

LIPPARD Lucy (ed.), Women Choose Women, cat‧expo, New York, New York cultural center, 1973

MASTEN April, Art Work. Women Artists and Democracy in Mid-Nineteenth-Century, New York, University of Pennsylvania Press, 2008

MUNRO Eleanor, Originals. American Women Artists, New York, Da Capo Press, 2000

RESSLER Susan R., Women Artists of the American West, Jefferson (N.C), McFarland & Co., 2003

ROTH Moira, JACOB Mary Jane, The Amazing Decade. Women and Performance Art in America: 1970-1980, Los Angeles, Astro Artz, 1983

SEAMAN Donna, Identity Unknown. Rediscovering Seven American Women Artists, Bloomsbury USA, 2017

TESSLER Nira, Flowers and Towers: Politics of Identity in the Art of the American “New Woman”, Newcastle, Cambridge Scholars Publishing, 2015

South America

AGOSIN Marjorie, A Woman’s Gaze. Latin American Women Artists, New York, White Pine Press, 1998

BARTRA Eli, Crafting Gender. Women and Folk Art in Latin America and the Caribbean, Duke University Press Books, 2003

BILLER Geraldine P. (ed.), Latin American Women Artists, 1915-1995, Milwaukee, Milwaukee Art Museum, 1995

FUSCO Coco, et al, The Latina Artist: The Response of the Creative Mind to Gender, Race, Class and Identity, New Brunswick (NJ), Rutgers Univ Press, 1998

Asia

TOMOMICHI Nkao, et al. (ed.), Women In-Between. Asian Women Artists 1984-2012, exh. cat., Fukuoka Asian Art Museum (1er septembre-21 octobre 2012), Okinawa Prefectural Museum & Art Museum (27 novembre 2012-6 janvier 2013), Togichi Prefectural Museum of Fine Arts (26 janvier-24 mars 2013), Mie Prefectural Art Museum (13 avril-23 juin 2013), Fukuoka-shi, Fukuoka Ajia Bijutsukan, 2012*

China

Quatre artistes chinoises contemporaines : Pan Yu-lin, Lam Oi, Ou Seu-tan, Shing Wai, exh. cat., Paris, Musée Cernuschi (26 mars-30 avril 1977), Paris, Musée Cernuschi / Presses artistiques, 1977

SMITH WEIDNER Marsha, Views from Jade Terrace. Chinese Women Artists 1300 – 1912, New York, Rizzoli, 1988

India

MITTER Partha, “Two Pioneering women artists”, The Triumph of Modernism. India’s Artists and the Avant-Garde, 1922-1947, London, Reaktion Books, 2007, p. 36-65

REINHARZ Shulamit et al, Tiger by the Tail! Women Artists of India Transforming Culture, exh. cat., Kniznick Gallery, Brandeis University, Waltham (25 septembre – 3 décembre 2007), Waltham, Women’s Studies Research Center, Brandeis University, 2007

SINHA Gayatri (ed.), Expressions and Evocations: Contemporary Women Artists of India, Mumbai, Marg Publications, 1996

SINHA Gayatri, “Feminism and Women Artists in India” dans DALMIA Yashodhara (ed.), Contemporary Indian Art. Other Realities, Mumbai, Marg Publications, 2002

Indonesia

BIANPOEN Carla, DIRGENTORO Wulan, WARDANI Farah, Indonesian Women Artists. The Curtain Opens, Jakarta, Yayasan Senirupa Indonesia, 2007

Japan

BONITO OLIVA Achille (ed.), Dissonance: Six Japanese Women Artists, exh. cat., Toyota, Toyota Museum of Art (30 septembre – 25 décembre 2008), 2008

TOCHIGI-KENRITSU Bijutsukan, Japanese Women Artists in Avant-garde Movements, 1950-1975, exh. cat., Utsunomiya, Tochigi Prefectural Museum of Fine Arts, Tochigi, Tochigi Prefectural Museum of Art, 2005

YOSHIMOTO Midori, Into Performance: Japanese Women Artists in New York, New Brunswick, N.J. : Rutgers University Press, 2005

Pakistan

HASHMI Salima, Unveiling the Visible. Lives and Works of Women Artists of Pakistan, Sang-e-Meel Publications, 2003

Philippines

DATUIN Flaudette May, Home Body Memory. Filipina Artists in the Visual Arts, 19th Century to the Present, University of the Philippines Press, 2005

Europe

BALDUCCI Temma, BELNAP JENSEN Heather, Women, Feminity and Public Space in European Visual Culture, 1789-1914, Farnham, Ashgate, 2014

DIMITRAKAKI Angela, SKELTON Pam, TRALLA Mare, Private Views. Spaces and Gender in Contemporary Art from Britain and Estonia, London, Women’s Art Library, 2007

VAN DER STIGHELEN Katlijne, À chacun sa grâce : femmes artistes en Belgique et aux Pays-Bas, 1500-1950, Gand/Amsterdam/Paris, Ludion/Flammarion, 1999

ZWEIBAUM Anne, Art’fab: l’art, la femme, l’Europe, Paris, Terrail, 2006

Belgium

CREUSEN Alexia, Femmes artistes en Belgique : XIX^e et début XX^esiècle, Paris, L’Harmattan, 2007

DELPLANQUE Eve, De l’enseignement à la carrière, trajectoires des femmes artistes en Belgique au XX^e siècle, Saint-Maur-des-Fossés, Éditions Jets d’Encre, 2016

LAOUREUX Denis, Femmes artistes. Les peintresses en Belgique (1880-1914), exh. cat., Namur, Musée Félicien Rops, (22 octobre 2016 – 8 janvier 2017), Milan, Silvana Editoriale, 2016

VAN DER STIGHELEN Katlijne, WESTEN Mirjam, A chacun sa grâce: Femmes artistes en Belgique et au Pays-Bas 1500-1950, exh. cat., Paris, Flammarion, 1999

France

GONNARD Catherine, LEBOVICI Elisabeth, Femmes artistes, artistes femmes. Paris, de 1880 à nos jours, Paris, Hazan, 2007*

DUMONT Fabienne, Des sorcières comme les autres, artistes et féministes dans la France des années 1970, Rennes, Presses Universitaires de Rennes, 2014*

QUINBY Diana, Le collectif Femmes/Art à Paris dans les années 70, une contribution à l’étude du mouvement des femmes dans l’art, PHd thesis under the supervision of Françoise Levaillant, Histoire de l’Art et archéologie, Université Paris I, 2003

SAUER Marina, L’entrée des femmes à l’école des beaux-arts : 1880-1923, Paris, ENSBA, 1991

Italy

BARKER Sheila, Women Artists in Early Modern Italy: Careers, Fame, and Collectors, London, Harvey Miller Publishers, 2016

Ireland

DEEPWELL Katy, Dialogues: Women Artists from Ireland, London, I.B. Tauris, 2005

Poland

MORAWIŃSKA Agnieszka, Voices of freedom: Polish women artists and the Avant-garde, 1880-1990, exh. cat., Washington, D.C., National Museum of Women in the Arts, (19 Dec. 1991 – 22 March 1992), 1991

SOSNOWSKA Joanna, Poza Kanonem : Sztuka polskich artystek 1880-1839 [Beyond the Canon : On the Art of Polish Women Artists, 1880-1939], Warsaw, Instytut Sztuki Polskiej Akademii Nauk, 2003 [includes summary in English and extensive bibliography]

Spain

ALIAGA Juan Vicente, MAYAYO Patricia (ed.), Genealogías feministas en el arte español 1960-2010/ Genealogies féministes dans l’art espagnol 1960-2010, exh. cat. León, MUSAC (23 juin 2012 – 24 février 2013), Madrid, This Side Up, 2013

United Kingdom

FORTNUM Rebecca, Contemporary British Women Artists, London, I.B. Taris, 2007

Middle-East

LLOYD Fran, Contemporary Arab Women’s Art: Dialogues of the Present, London, I.B.Tauris, 2002

Iran

ANVARI Haleh, 30 Years of Solitude: Photography and Film by Iranian Women, London, Asia House, 2008

KHAKBAZ Mozhdeh, Feminism and Identity in the Work of Contemporary, Iranian Female Artists, Bachelor of Fine Arts (Tehran), 2015, URL : https://eprints.qut.edu.au/91313/4/Mozhdeh%20Khakbaz%20Joybargholi%20Thesis.pdf

Liban

KHAL Helen, The Woman Artist in Lebanon, Beirut, The Institute for Women’s Studies in the Arab World., 1987

Decorative Arts and Design

BREUER Gerda, MEER Julia, Women in Graphic Design, Berlin, Jovis, 2012

BRIDGET Elliott, Women Artists and the Decorative Arts, 1880-1935. The Gender of Ornament, Aldershot Burlington, Ashgate, 2002

FERNANDEZ GARCIA Ana Maria, MoMoWo, 100 works in 100 years. European Women in Architecture and Design, 1918-2018, Ljubljana, France Stele Institute of art history ZRC SAZU, 2016

LEWIS Adam, The Women Who Defined Interior Design, 1870-1955, New York, Rizzoli, 2010

MARTIN Brenda, Women’s Places. Architecture and Design, 1860-1960, London, Routledge; 2003

ROTHSCHILD Joan, Design and Feminism. Re-Visioning Spaces, Places, and Everyday Things, London, Rutgers University Press, 1999

VIGNAL Marion, Femmes designers : un siècle de créations, Paris, Aubanel, 2009

Graphic Arts

HOFFBERG Judith, Women of the Book. Jewish Artists, Jewish Themes, Florida Atlantic Univ Friends, 2001

Textile Arts

GOGGIN Maureen Daly, Women and The Material Culture of Needlework and Textiles, 1750-1950, Farnham Burlington, Ashgate, 2009

Films & Videos

GEVER Martha, “The feminism factor: video and its relation to feminism” dans Hall Doug et Jo Fifer Sally (ed.), Illuminating Video: An Essential Guide to Video Art, Londres, Thames and Hudson, 1990

MALLOY Judy (ed.), Women, Art and Technology, Cambridge, MIT Press, 2003

MULVEY Laura, “Visual Pleasure and Narrative Cinema”, Screen, 1975, vol. 16, issue 3, p. 6-8

RERAT Mélanie, L’art vidéo au féminin, Lausanne, Presses polytechniques et universitaires romandes, 2014

TRODD Tamara (ed.), Screen/Space: The Projected Image in Contemporary Art, Manchester, Manchester University Press, 2011

WILDING Faith, “Where is Feminism in Cyberfeminism”, n‧paradoxa, 1998, vol. 2, p. 6-13

ZOBL Elke, DRÜEKE Ricarda (ed.), Feminist Media: Participatory Spaces, Networks and Cultural Citizenship, Reihe Critical Media Studies, 2012

European Women’s Video Art, URL : http://www.ewva.ac.uk/index.html

Painting

General references

BETTERTON Rosemary, Unframed: Practices and Politics of Women’s Contemporary Painting, London, I.B.Tauris, 2004

BONNET Marie-Josèphe, Liberté, égalité, exclusion : femmes peintres en Révolution, 1770-1804, Paris, Vendémiaire, 2012

HART Andrea, Women Artists, London, Natural History Museum, 2014

GREER Germaine, The Obstacle Race: The Fortunes of Women Painters and Their Work, New York, Farrar, Straus, Giroux, 1979

LACAS Martine, Des femmes peintres : du XV^e à l’aube du XIX^e siècle, Paris, Seuil, 2015

NICOIDSKI Clarisse, Une histoire des femmes peintres, Paris, J.-C. Lattès, 1994

SUTHERLAND HARRIS Ann, NOCHLIN Linda, Femmes peintres, 1550-1950, exh. cat., Los Angeles, Los Angeles County Museum of Art (1976-1977), Paris, Éditions des femmes, 1981*

19th century

HAMEL-BEAUDOIN, Femmes peintres marginales au XIX^e siècle : voyantes-autodidactes-schizophrènes (1800-1900), Drumondville, Françoise Hamel-Beaudoin, 2011

HARRIS Elree, SCOTT Shirley, A Gallery of Her Own: An Annotated Bibliography of Women in Victorian Painting, London, Garland, 1997

HELLAND Janice, Professional Women Painters in Nineteenth-Century Scotland: Commitment, Friendship, Pleasure, Aldershot, Ashgate, 2000

LEVESQUE Emmanuelle, Femmes peintres et salons au temps de Proust : de Madeleine Lemaire à Berthe Morizot, Paris, Hazan, 2010

19th century – Impressionism

BRAHIMI Denise, La peinture au féminin : Berthe Morisot et Mary Cassatt, Paris, J.-P. Rocher, 2000

GARB Tamar, Women Impressionists, Oxford, Phaïdon, 1986

LECLERE Marianne, Les femmes dans l’impressionnisme, Paris, NANE éditions, 2016

MANŒUVRE Laurent, Les pionnières : femmes et impressionnistes, Rouen, Éditions des Falaises, 2016*

1905-1945 – Surrealism

ALLMER Patricia, Angels of Anarchy. Women Artists and Surrealism, Munich, Prestel, 2009

CHADWICK Whitney, Women Artists and the Surrealist Movement, Boston, Little, Brown and Company, 1985

CHADWICK Whitney, Mirror Images. Women, Surrealism, and Self-Representation, Cambridge, MIT Press, 1998

COLVILE Georgiana, CONLEY Katharina, La femme s’entête : la part du féminin dans le surréalisme, Paris, Lachenal & Ritter, 1998

COLVILE Georgiana, Scandaleusement d’elles : trente-quatre femmes surréalistes, Paris, J-M. Place, 1999

FORT Ilene Susan, Au pays des merveilles : les aventures surréalistes des femmes artistes au Mexique et aux États-Unis, exh. cat., Los Angeles County museum of art (LACMA) (9 janvier au 6 mai 2012), Québec, Musée national des beaux-arts du Québec (7 juin au 3 septembre 2012), Mexico, Museo d’arte moderno de Mexico (27 septembre 2012 au 13 janvier 2013), Munich, DelMonico books, 2012

ROSEMONT Penelope, Surrealist Women: An International Anthology, Austin, University of Texas Press, 1998

1945 to present

WISMER Beat (ed.), exh. cat.., Karo-Dame. Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute, Aargauer Kunsthaus, Aarau (28 May – 30 July 1995), Aarau, Aargauer Kunsthaus, 1995

CHANZIT Gwen F. et al., Women of Abstract Expressionism, exh. cat., Denver Art Museum, (juin – septembre 2016), Mint Museum, Charlotte, North Carolina (octobre – janvier 2017), Palm Springs Art Museum, (février – mai 2017), Londres, Whitechapel Gallery (juin – septembre 2017) Denver/New Haven, Denver Art Museum/Yale University Press, 2016

PUNIELLO Françoise, RUSAK Halina, Abstract Expressionist Women Painters: An Annotated Bibliography: Elaine De Kooning, Helen Frankenthaler, Grace Hartigan, Lee Krasner, Joan Mitchell, Ethel Schwabacher, London, The Scarecrow Press, 1996

Performance

BOULBES Carole (ed.), Femmes, attitudes performatives : aux lisières de la performance et de la danse, Dijon, Les Presses du réel, 2014*

CREISSELS Anne, Prêter son corps au mythe. Le féminin et l’art contemporain, Paris, Éd. du Félin, 2009*

FRUEH Joanna, Monster/Beauty. Building the Body of Love, University of California Press 2000

JONES Amelia, Body Art / Performing the Subject, Minneapolis, University of Minnesota Press, 1998

MARS Tanis, HOUSEHOLDER Johanna, More Caught in the Act: An Anthology of Performance Art by Canadian Women, Montréal/Toronto, Artexte Editions/YYZ Books, 2016

PHELAN Peggy, HART Lynda (ed.), Acting Out: Feminist Performances, Ann Arbor, University of Michigan Press, 2000

SCHNEIDER Rebecca, The Explicit Body in Performance, Londres, Routledge, 1997

SMITH Sidonie, WATSON, Julia (ed.), Interfaces: Women, Autobiography, Image, Performance, Ann Arbor, University of Michigan, 2002

VERGINE Lea, Body Art and Performance: The Body as Language, Milan, Skira Editore, 2000 trad. Henri Martin

WILSON, Sonia, Art Labor, Sex Politics: Feminist effects in 1970s British Art and Performance, Minneapolis, University of Minnesota Press, 2015

Women & Performance, A Journal of Feminist Theory. URL : https://www.womenandperformance.org/

Photography

ABBOTT Louise, LINDSAY Doreen, Women in Photography, Montréal, McGill Women’s Centennial Committee, 1986

BOUQUERET Christian, Les femmes photographes de la nouvelle vision en France, 1920-1940, Paris, Marval, 1998*

BRONFEN Elisabeth, Photos de femmes : une histoire en images de la photographie féminine de Julia Cameron à Bettina Rheims, Paris, Plume, 2011

CLOSE Susan, Framing Identity: Social Practices of Photography in Canada, 1880-1920 Winnipeg : Arbeiter Ring Pub., 2007

GALIFOT Thomas, POHLMANN Ulrich, ROBERT Marie (ed.), Qui a peur des femmes photographes ?, exh. cat., Paris, musée d’Orsay / musée de l’Orangerie, (14 octobre 2015 – 25 janvier 2016), Paris, Hazan, 2015

GRIFFITH Bronwyn, POSEVER CURTIS Verna (ed.), Les ambassadrices du progrès : photographes américaines à Paris, 1900-1901, cat. expo, Musée d’art américain Giverny, (13 sept.-30 nov. 2001), the Terra Museum of American Art, Chicago (26 janv.-14 avril 2002), Hood Museum of Art, Dartmouth College, Hanover (11 janv.-9 mars 2003) Paris, Adam Biro, 2001.

LAHS-GONZALES Olivia, LIPPARD Lucy, Defining Eye: Women Photographers of the 20th Century: Selections from the Helen Kornblum Collection, exh. cat., Washington, Museum of Women in the Arts, (7 octobre 1999 – 9 janvier 2000), St Louis, Saint Louis Art Museum, 1997*

METZ Annie, ROCHEFORT Florence, Photo Femmes Féminisme : Collection de la bibliothèque Marguerite Durand (1860-2010), Paris, Paris bibliothèques, 2010

MITCHELL Margaretta K., Recollections: Ten Women of Photography, New York, Viking, 1979

MUZZARELLI Federica, Femmes photographes : Émancipation et performance (1850-1940), Paris, Hazan, 2009*

NEWTON Kate, GRANT Catriona, Masquerade. Women’s Contemporary Portrait Photography, Cardiff, Ffotogallery, 2003

NOGGLE Ann, MANN Margery, Women of Photography: An Historical Survey, San Francisco, San Francisco Museum of Art, 1975

Sculpture & Installations

AYRAL-CLAUSE Odile, « Les femmes sculpteurs de la France du XIX^e siècle », dans Camille Claudel et Rodin. La rencontre de deux destins, Québec, Détroit Martigny, 2005-2006, p. 314-323

REYNOLDS Siân, « Comment peut-on être femme sculpteur en 1900 ? Autour de quelques élèves de Rodin », Mil neuf cent, Volume 16, n° 1, 1998

RIVIERE Anne, Sculpture’elles : les sculpteurs femmes du XVIII^e siècle à nos jours, exh. cat., Boulogne-Billancourt, Musée des années Trente (12 mai – 2 octobre 2011), Paris, Somogy, 2011

Useful links