Articles
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Exhibition review
04.01.2018 | Camille Viéville
Rendering the Invisible Visible: Rachel Whiteread in London
Exhibition review
21.12.2017 | Hélène Gheysens
Alina Szapocznikow, Essential, at the Hepworth Wakefield
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Exhibition review
12.12.2017 | Mathilde Hivert
In the heart of Echo Chamber by Anne-Marie Schneider
Interview
10.12.2017 | N'Goné Fall & Élise Atangana
N’Goné Fall: “Connecting yesterday, today and tomorrow”
Exhibition review
02.12.2017 | Camille Viéville
Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art
Exhibition review
24.11.2017 | Eva Belgherbi
On the Trail of Sophie Calle and Serena Carone: Beau doublé, monsieur le marquis!
Article
06.11.2017 | Rose-Anne Gush
VALIE EXPORT: Image and Body Space
Exhibition review
31.10.2017 | Gillian Sneed
“Bad Hombres, and Nasty Women”: Pacific Standard Time: LA/LA Examines Gender and Sexuality
Exhibition review
21.10.2017 | Mathilde Bartier
Nicola L.: a one-of-a-kind artist
Thesis or dissertation abstract
14.10.2017 | Nikoleta Tsagkari
Eroticism in Isabelle Waldberg’s Sculpted Work
Exhibition review
06.10.2017 | Hélène Gheysens
Germaine Richier at Mont-Saint-Michel, Marked by Metamorphosis
Thesis or dissertation abstract
02.10.2017 | Nadine Atallah
Women, art and the nation. History of the exhibitions of two Egyptian women artists, from the 1950s to the present day: Inji Efflatoun and Gazbia Sirry
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, photographing to resist
Report
19.09.2017 | Mathilde Belouali-Dejean
30.6% of women artists at documenta 14 in Kassel
Exhibition review
13.09.2017 | Hélène Gheysens
“Fahrelnissa Zeid”, the honey of life, at Tate Modern
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Exhibition review
01.09.2017 | Mathilde Hivert
