Articles
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Exhibition review
07.07.2018 | Hélène Gheysens
Lea Lublin: Radical Iconoclast
Exhibition review
03.07.2018 | Fanny Verdier
Journey to the Heart of Yin and Yang, with Seundja Rhee
Thesis or dissertation abstract
15.06.2018 | Adélie Le Guen
The Bedrooms of Heidi Bucher: Between Poetic and Post-1968 Social Influences
Exhibition review
05.06.2018 | Catherine Macchi
Giosetta Fioroni: An Iconography of the Feminine
Thesis or dissertation abstract
25.05.2018 | Hélène Gheysens
Pierre Restany and Women Artists
Exhibition review
01.05.2018 | Mathilde Bartier
In Search of Ceija Stojka, Roma Artist and Survivor of the Camps
Thesis or dissertation abstract
21.04.2018 | Jeanne Mathas
Blythe Bohnen and the Concept of the Body in Movement: From Plan to Line
Exhibition review
14.04.2018 | Camille Viéville
Susan Meiselas: Stretching the Photographic Moment
Exhibition review
06.04.2018 | Mathilde Belouali-Dejean
Liz Magor: Disrupting Habits
Exhibition review
27.03.2018 | Valentin Gleyze
Sheila Hicks at the Centre Pompidou: On Art as Sharing
Interview
24.03.2018 | Nathalie Ernoult and ORLAN
ORLAN, between artist and robot
Exhibition review
17.03.2018 | Mathilde Hivert
The Game of Life by Charlotte Salomon
Exhibition review
06.03.2018 | Adiva Lawrence
Lubaina Himid and the Historically Forgotten
Exhibition review
16.02.2018 | Aurélie Arena
The Feminist Avant-Gardes of the 1970s in Karlsruhe: A Manifesto Exhibition
Exhibition review
10.02.2018 | Camille Viéville
Beatriz González: Popular and Political
Exhibition review
30.01.2018 | Marjorie Micucci
Hemali Bhuta, or the Exhibition as an Open-Air Landscape
Exhibition review
04.01.2018 | Camille Viéville
Rendering the Invisible Visible: Rachel Whiteread in London
Exhibition review
21.12.2017 | Hélène Gheysens
