Articles
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Exhibition review
24.11.2017 | Eva Belgherbi
On the Trail of Sophie Calle and Serena Carone: Beau doublé, monsieur le marquis!
Article
06.11.2017 | Rose-Anne Gush
VALIE EXPORT: Image and Body Space
Exhibition review
31.10.2017 | Gillian Sneed
“Bad Hombres, and Nasty Women”: Pacific Standard Time: LA/LA Examines Gender and Sexuality
Exhibition review
21.10.2017 | Mathilde Bartier
Nicola L.: a one-of-a-kind artist
Thesis or dissertation abstract
14.10.2017 | Nikoleta Tsagkari
Eroticism in Isabelle Waldberg’s Sculpted Work
Exhibition review
06.10.2017 | Hélène Gheysens
Germaine Richier at Mont-Saint-Michel, Marked by Metamorphosis
Thesis or dissertation abstract
02.10.2017 | Nadine Atallah
Women, art and the nation. History of the exhibitions of two Egyptian women artists, from the 1950s to the present day: Inji Efflatoun and Gazbia Sirry
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, portrait of a “dark lioness”
Report
19.09.2017 | Mathilde Belouali-Dejean
30.6% of women artists at documenta 14 in Kassel
Exhibition review
13.09.2017 | Hélène Gheysens
“Fahrelnissa Zeid”, the honey of life, at Tate Modern
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Exhibition review
01.09.2017 | Mathilde Hivert
The machinations of Hélène Delprat at La Maison rouge
Exhibition review
25.08.2017 | Mathilde Belouali-Dejean
We Wanted a Revolution: Black Radical Women, 1965–85
Report
16.08.2017 | Julie Richard
Women and cultural diversity are in the spotlight for this 57th Venice Biennale
Exhibition review
10.08.2017 | Camille Viéville
“Alice Neel, Painter of Modern Life” in Arles
Thesis or dissertation abstract
05.08.2017 | Anne-Laure Huet
Madeleine Jouvray (1862-1935): a sculptress at the turn of the century
Exhibition review
30.07.2017 | Eva Belgherbi
Travaux de dames ?
Exhibition review
25.07.2017 | Hanna Alkema
