Articles
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Exhibition review
14.04.2018 | Camille Viéville
Susan Meiselas: Stretching the Photographic Moment
Exhibition review
06.04.2018 | Mathilde Belouali-Dejean
Liz Magor: Disrupting Habits
Exhibition review
27.03.2018 | Valentin Gleyze
Sheila Hicks at the Centre Pompidou: On Art as Sharing
Interview
24.03.2018 | Nathalie Ernoult and ORLAN
ORLAN, between artist and robot
Exhibition review
17.03.2018 | Mathilde Hivert
The Game of Life by Charlotte Salomon
Exhibition review
06.03.2018 | Adiva Lawrence
Lubaina Himid and the Historically Forgotten
Exhibition review
16.02.2018 | Aurélie Arena
The Feminist Avant-Gardes of the 1970s in Karlsruhe: A Manifesto Exhibition
Exhibition review
10.02.2018 | Camille Viéville
Beatriz González: Popular and Political
Exhibition review
30.01.2018 | Marjorie Micucci
Hemali Bhuta, or the Exhibition as an Open-Air Landscape
Exhibition review
04.01.2018 | Camille Viéville
Rendering the Invisible Visible: Rachel Whiteread in London
Exhibition review
21.12.2017 | Hélène Gheysens
Alina Szapocznikow, Essential, at the Hepworth Wakefield
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Exhibition review
12.12.2017 | Mathilde Hivert
In the heart of Echo Chamber by Anne-Marie Schneider
Interview
10.12.2017 | N'Goné Fall & Élise Atangana
N’Goné Fall: “Connecting yesterday, today and tomorrow”
Exhibition review
02.12.2017 | Camille Viéville
Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art
Exhibition review
24.11.2017 | Eva Belgherbi
On the Trail of Sophie Calle and Serena Carone: Beau doublé, monsieur le marquis!
Article
06.11.2017 | Rose-Anne Gush
VALIE EXPORT: Image and Body Space
Exhibition review
31.10.2017 | Gillian Sneed
