Articles
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Article
12.01.2019 | Nathalie Ernoult
Three Scandinavian surrealist women artists in Paris
Exhibition review
20.12.2018 | Sarah Caillet
Lee Bul: The Topography of Utopia
Article
15.12.2018 | Judith Rottenburg
Younousse Seye: The Making of a Pan-African Woman Artist in Post-Independence Senegal
Thesis or dissertation abstract
09.12.2018 | Ana Bordenave
The Sorcières Review (1975-1982): a space for for feminist representation marrying the visual arts and litterature
Exhibition review
03.12.2018 | Camille Paulhan
Paula Rego: Once Again Becoming Sublimely Unjust
Report
26.11.2018 | Joséphine Givodan
Elles x Paris Photo: Diversity tested by the market
Thesis or dissertation abstract
18.11.2018 | Margot E. Yale
“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict
Exhibition review
04.11.2018 | Mathilde Bartier
Véronique Ellena: In Praise of the Everyday
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
Thesis or dissertation abstract
07.10.2018 | Pauline Duverger
Joan Semmel and Sylvia Sleigh: Two Feminist Views on Male Intimacy
Exhibition review
29.09.2018 | Marjorie Micucci
Joëlle Tuerlinckx Takes on Vassivière Island, or The Heuristic Point of View
Article
08.09.2018 | Émilie Goudal
Warding off Disappearance, Getting Beyond Icons: The (Counter-)Visuality of Algerian Women
Exhibition review
24.08.2018 | Camille Viéville
Aenne Biermann at Museum Ludwig: a taste for forms
Exhibition review
01.08.2018 | Hélène Gheysens
Maria Lassnig: an epiphany of perception
Exhibition review
27.07.2018 | Valentin Gleyze
Myriam Bat-Yosef: Desire in the Flesh
Exhibition review
15.07.2018 | Adiva Lawrence
Otobong Nkanga: Memory Constellations
Exhibition review
07.07.2018 | Hélène Gheysens
Lea Lublin: Radical Iconoclast
Exhibition review
03.07.2018 | Fanny Verdier
