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AWARE
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Index
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A Place for Artists
Villa Vassilieff
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Events
Prix AWARE
At the Villa Vassilieff
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-日本
AWARE
について
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India
Research
122
Interviews
20
Review
88
Fields
Architecture
2
Decorative arts & design
1
Visual arts
7
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Academic art
1
Viennese Actionism
1
Appropriationism
1
Outsider art
2
Conceptual art
11
Body art
1
Art Déco
1
Naïve art
1
Artist collective
19
École de Paris
2
Expressionism
1
Abstract expressionism
1
Fauvism
1
Land art
2
Minimalism
3
Nouveau Réalisme
2
New Objectivity
1
Pop art
4
Postminimalism
1
Realism
1
Surrealism
6
Symbolism
3
Subjects
Autobiography
14
Political issues
63
Women's status
67
Discriminations
39
Ecology
14
War & conflicts
26
History
49
Landscape
23
Traditions
27
Work
11
Mediums
Graphic arts
93
Performing arts
0
Audiovisual
44
Film
9
Video
26
Concepts
2
Space & installation
81
[Modes]
19
Site-specific
10
Objects
18
Painting
107
Performance
34
Photography
57
Sculpture
45
Textile
28
Countries
Africa
19
Central America and the Caribbean
4
North America
60
South America
32
Asia
30
Europe
142
France
75
Middle East
16
Oceania
7
Periods of
activity
XVIe siècle
2
17th century
3
18th century
6
19th century
20
20th century
188
1970s
108
1980s
109
1990s
98
21st century
129
2000s
96
2010s
110
2020s
54
Programmes
— Women Artists of the 1960s in Africa
3
— 18th-Century Women Artists
2
— Women Artists in Japan, 19th–21st c.
10
— Le Louvre & AWARE
4
— Les architectes
2
— New Media, 1960s-1990s
3
— Rewriting Art History in the Americas
10
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
4
— TEAM: Teaching, E-learning, Agency, Mentoring
17
Exhibition review
30.01.2018 | Marjorie Micucci
Hemali Bhuta, or the Exhibition as an Open-Air Landscape
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Archives
of Women Artists
Research
& Exhibitions
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Tous droits réservés dans tous pays/All rights reserved for all countries.