Kasten, Barbara, Klein, Alex, Owens, Mark, Leshowitz, Hartwell, Ellen, Barbara Kasten: the Diazotypes, 1973, New York, Graham Foundation, 2015→
Kasten, Barbara, Klein, Alex, Deschenes Liz, Kitnick, Alex, Sorkin, Jenni, Barbara Kastten: stages, Philadelphia, institute of Contemporary Art, Zürich, JRP Ringier, 2015
Studio Photography: 1887 – 2019, Simon Lee New York, New York, June – August 2019→
The Sensation of Space, The Warehouse Dallas, Dallas, May – November 2019→
Picture Fiction: Kenneth Josephson and Contemporary Photography, Museum of Contemporary Art, Chicago, April – December 2018
American visual artist.
Barbara Kasten is an American artist whose work often has a photographic purpose. She initially studied painting and, after a break, took a master’s degree in textiles with Trude Guermonprez at California College of Arts and Crafts in Oakland (1970). She then studied at the graduate school for plastic arts in Poznan ́ with Magdalena Abakanowicz.
Her early textile work wasin the style of the experimental weaving movement that was then in vogue. It was already exploring the language of abstraction, while remaining connected to the female body. From the start of her career, she also worked with photography, either as a separate element or as an integral part of the textile piece. She later made it her primary medium. The series of cyanotype photograms, with motifs created by different fabrics and fibreglass (‘Photogenic Painting’, 1974–6), marks the transition between organic sculpture in a flexible material and the abstraction that by the end of the 1970s was starting to become purely geometric. Influenced by the work of
László Moholy-Nagy and Ludwig Mies van der Rohe, and inspired by the Bauhaus legacy, she started creating compositions in the darkroom without a camera, then in her studio, with pieces of Plexiglas, mirrors, glass, wooden boards, and metal bars, as in the ‘Constructs’ series (1979–84). She added to those installations light effects that she manipulated to activate the shadows that came to create imagined spaces. The scenes were photographed with a medium-format camera and then printed onto chromogenic paper. Kasten belonged to the Polaroid Artist Support Program, in which, in the 1980s and 1990s, artists were invited to work with a very large-format camera. Her work at the time exploded with colour and became increasingly based on architecture, which she interpreted and transformed by projecting brightly coloured lights, as in the ‘Architectural Site’ series (1986).
Her work spanned a number of different fields: she designed the set for choreography by Margaret Jenkins (Inside Outside / Stages of Light, 1985), video installations, three-dimensional installations, and, recently, site- specific projects. Light plays a central part in her work, changing according to the colour that she adds, particularly with transparent films. For half a century, her abstract language has been firmly anchored in the relationship between three-dimensional and two-dimensional space and the mechanisms of perception. For half a century, her style has remained abstract.
As published in Women in Abstraction © 2021 Thames & Hudson Ltd, London
Barbara Kasten, Construct XI-B, 1981, polaroid polacolor version 8 of 10, 25.4 x 20.3 cm, 10 x 8 in., Courtesy Bortolami Gallery
Barbara Kasten, Photogenic Painting Untitled 75/28, 1975, cyanotype, 76.2 x 101.6 cm, 30 x 40 in., Courtesy Bortolami Gallery
Barbara Kasten, Photogram Painting Untitled 78/2, 1978, silver gelatin mural paper with oil paint, each panel: 233.6 x 63.5 cm, 92 x 25 in., Courtesy Bortolami Gallery
Barbara Kasten, Metaphase 5, 1986, cibachrome edition, 1 of 10,94 x 74.5 cm, 37 x 29 1/4 in., Courtesy Bortolami Gallery
Barbara Kasten, ARCHITECTURAL SITE 15, October 19, 1987, 1987, cibachrome, silver dye bleach print, edition 4 of 5, 153.7 x 122 cm, 60.5 x 48 in., Courtesy Bortolami Gallery
Barbara Kasten, El Medol, 1992, 101.6 cm., 40 in., digital printed lacquer on vinyl mural, backlighted, Tarragona, Spain, Courtesy Bortolami Gallery
Barbara Kasten, AMPHORA -Rhodes, 1996, unique photogram, 2 panels cyanotype on BFK Arches, 152.4 x 55.88 cm, 60 x 22 in, Collection of Bodrum Museum of Underwater Archaeology, Turkey, Courtesy Bortolami Gallery
Barbara Kasten, Colision 124, 2019, digital chromogenic print, 121.9 x 213.4 cm, 48 x 84 in., Courtesy Bortolami Gallery
Barbara Kasten, Studio Construct 59, 2008, editioned, dated and signed on recto in sharpie permanent marker on harmon gloss FB AI mounted on backing (Dibond Aluminum), archival pigment print, edition 4 of 5, 127 x 101.6 cm, 50 x 40 in., Courtesy Bortolami Gallery
Barbara Kasten, Double Negative 4, 2012-2016, silver gelatin print, edition 2 of 3, 61 x 48.3 cm, 24 x 19 in., Courtesy Bortolami Gallery
Barbara Kasten, Crossover (Düsseldorf), 2016, HD video, color, silent loop, plexiglass, paper, 350.5 x 243.8 x 121.9 cm, 11.5 x 8 x 4 in., Courtesy Bortolami Gallery
Barbara Kasten, Scene V, 2012, archival pigment print, edition 2 of 5, 134.5 x 106.7cm, 53 x 42 in., Courtesy Bortolami Gallery
Barbara Kasten, Transposition 9, 2014, fujiflex digital print, 152.5 x 122 cm, 60 x 48 in., Courtesy Bortolami Gallery