Wix Linney (ed.), Through a narrow window : Friedl Dicker-Brandeis and her Terezín students, exh. cat., University of New Mexico, Art Museum, Mexico City, (28 January – 13 March 2011) Mexico City, University of New Mexico/Art Museum, 2011→
Makarova Elena, Friedl Dicker-Brandeis, Vienna 1898-Auschuwitz 1944 : the artist who inspired the children’s drawings of Terezin, Los Angeles, Tallfallow/Every Picture Press, 2001→
Makarova Elena (ed.), Friedl Dicker-Brandeis : Vienne 1898 – Auschwitz 1944, exh. cat.,Palais Harrach, Vienna; Landesmuseum, Graz; Musée d’art et d’histoire du Judaïsme, Paris, (1999 – 2001), Paris, Somogy éd. d’art/Musée d’art et d’histoire du Judaïsme/Simon Wiesenthal Center, 2000
Through a narrow window : Friedl Dicker-Brandeis and her Terezín students, University of New Mexico, Art Museum, Mexico City, 28 January – 13 March 2011→
Friedl Dicker-Brandeis : Vienne 1898 – Auschwitz 1944, Palais Harrach, Vienna; Landesmuseum, Graz; Musée d’art et d’histoire du Judaïsme, Paris, 1999-2001
Born to a modest family, Friedl Dicker was only four years old when her mother died. Her profuse, polymorphic work still remains little known, eclipsed by her educational initiative with the children of the Terezín concentration camp. She fully illustrates the aspiration of avant-garde women to approach all fields of creation, and their will to transform the world through their intervention in everyday life. Trained from 1919 to 1923 at the Weimar Bauhaus, where she joined Johannes Itten, her professor in Vienna, she became strongly influenced by the teachings of Paul Klee. Her experience at Bauhaus was seminal, in that it articulated her search for personal development around a very varied artistic and artisanal practice. Art and pedagogy are indissolubly linked in her work. At the end of her Bauhaus training, she was put in charge of the introductory class for first-year students. After returning to Vienna she and her partner Franz Singer created a design and interior architecture studio in 1926, and in 1939, she designed the layout, experimental furniture, and toys of a Montessori school. During this period, she was also in charge of training kindergarten teachers.
Her bold political activism led her to join the communist party, for which she drew and designed agitprop photomontages. After being arrested then released in 1934, she left Vienna and moved to Prague, where she reverted to a more figurative painting and gave art lessons to the children of German and Austrian emigrants, basing herself on the educational methods of Itten. She married her cousin and settled in Hronov. In the autumn of 1942 they received their deportation notices for Terezín. In this “model Jewish settlement”, Dicker-Brandeis perpetuated Bauhaus teaching methods, using drawing to free the creativity of the interned children. She became the director of the L410 girl’s home and in July 1943, organised an exhibition of their works, on the occasion of which she pronounced a conference entitled “Children’s drawings”. She also put on plays and painted personal works completely unrelated to life at the camp. After her husband was taken away on 28 September, she volunteered for the next transport and left Terezín on 6 October 1944 for Auschwitz, after hiding all the children’s drawings in an attic. She was killed on 9 October. Her works are kept at the Simon-Wiesenthal Centre in Los Angeles and at the Jewish Museum in Prague, which also has a large collection of the Terezín children’s drawings.
Friedl Dicker-Brandeis, Pohled z okna ve Františkových Lázních [View from the window in Františkovy Lázně], 1936, Courtesy Jewish Museum, Prague
Friedl Dicker-Brandeis, Dáma v automobilu / Imaginární autoportrét [Lady in a car / Imaginary self-portrait], c. 1940, pastel sur papier, 43.5 x 56 cm, 22 x 17 1/8 in., Courtesy Jewish Museum, Prague
Friedl Dicker-Brandeis, Zena u stolu, [Woman at the table], date unknown, Courtesy Jewish Museum, Prague
Friedl Dicker-Brandeis, Begonie na okně [Begonia at the window], c. 1934-1936, tempera on paper, 49,5 mm x 60.5 cm, Courtesy Jewish Museum, Prague
Friedl Dicker-Brandeis, Aquarium, c. 1934-1942, tempera on paper, 57.5 x 41.2 cm, Courtesy Jewish Museum, Prague
Friedl Dicker-Brandeis, Podobizna mladé ženy s krajkovým límcem [Portrait of a young woman with a lace collar], 1940-1944, pastel on paper, 55 x 43.5 cm, Courtesy Jewish Museum, Prague
Friedl Dicker-Brandeis, Portrét stojícího muže v černém kabátě a klobouku [Portrait of a standing man in black coat and hat], date unknown, Courtesy Jewish Museum, Prague