Ilona Németh: Eastern sugar, exh. cat., Kunsthalle Bratislava, Bratislava (13 April – 15 July 2018), Bratislava, Kunsthalle Bratislava, 2018
Ilona Németh: Eastern sugar, Kunsthalle Bratislava, Bratislava, 13 April – 15 July 2018→
Ilona Németh, SODA Gallery, Bratislava, 10 December 2019 – 31 January 2020→
Ilona Németh, Ernst Múzeum, Budapest, 2011
Hungarian visual artist.
From 1981 to 1986 Ilona Németh studied typography at the Hungarian Academy of Applied Arts. She primarily creates installations, land and public art, and has realised illustrations for children’s books and textbooks. Beginning her career as a painter, she broke with the neo-expressionist trend in the 1990s and began producing installations (Notes from a Maze). For the early works, (Column, 1995, and Installation of Reeds, 1996), she used natural materials – reeds, sand, hair, twigs, and pigments). In the mid 1990s she abandoned this approach to concentrate on works focused on hierarchical relations between the sexes (Cushions, 1996; Multifunctional Woman, 1996). In these creations, which insist on sexuality, sensuality and eroticism while evoking subjection and humiliation, the body appears only through its absence. Her exhibition Private Consulting Room (1997) ironically questions roles traditionally assigned to women while presenting three gynaecological tables covered in velvet, rabbit fur and foam. These explicitly feminist themes soon gave way to monumental interactive multimedia installations that questioned public and private space (Exhibition Room, 1998).
In Section (2000), a room cut in half served as an interactive sound installation. With Invitation for a Visit (created in 2001 with Jiří Surůvka (b. 1961) and exhibited in the Czech-Slovak pavilion at the Venice Biennale), she turned her own apartment upside down, allowing visitors to walk through it while seeing it from above. Little by little she turned her attention to problems of urban space, minimal space and social identity (Handiwork, 2006). In 2003 she and her husband, architect Marián Ravasz, executed a public artwork for the homeless, Capsules, which consists of functional minimal spaces designed for a single person. This creation was then installed (and used) in the public squares of several European cities. In her project Public Art, presented in Dunajská Streda and Budapest, she displays questions established by Emory S. Bogardus to measure social distances on various panels.
Ilona Németh, Private Gynecological Ambulance 1. – 3., 1997, installation, examining chairs, metals, rabbit skins, velvet, moss, 72 x 112 x 112 cm, Kortárs Művészeti Múzeum – Ludwig Múzeum, Courtesy SODA gallery
Ilona Németh, “Pack up Everything . . .“, 2012-2016, in cooperation with Richard Barger, Lóránd Szécsényi Nagy, András Blazsek, Jonathán Ravasz, interactive Installation, sound installation, wallpaper, objects, sound, prints, dimensions variable, Courtesy Ilona Németh/SODA gallery, © Photo: Adam Šakový
Ilona Németh, Eastern Sugar, 2017-2018, in cooperation with Marian Ravasz, Manufacture with 36 working stations, sugarloaf forms and utensils, packaging material, different objects, lamps, back space for the workers, Sugarloaf Manufacture, dimensions variable, Courtesy Ilona Németh/SODA gallery, © Photo: József Rosta
Ilona Németh, Invitation for a Visit, Floor VI., 2001, avec Jiří Surůvka, architect: Marián Ravasz, interactive multimedia installation, furniture object, ready-mades, various objects, DVD, TV monitors, PC, 135 x 528 x 968 cm, 49. La Biennale di Venezia, Pavilion of the Czech and Slovak Republic, Courtesy Ilona Németh/SODA gallery, © Photo: Marián Ravasz
Ilona Németh, Morning, 2004, video, 3’50’’, in cooperation with Csaba Czibula, Ludwig Museum – Museum of Contemporary Art, M.ICA Institut of Contemporary Arts, Miskolc
Ilona Németh, PAX/NEXUS/SALVUS – Confessional, 2005, architect: Marián Ravasz, multi-purpose wardrobe, furniture panel, aluminum, glass, upholstery, electronics, 240 x 201 x 75 cm, Courtesy Ilona Németh/SODA gallery, © Photo: Lajos Kalmár
Ilona Németh, Polyfunctional Woman, 1996, sound installation, bed, velvet, 13 pieces MP3, electronics, 200 x 260 x 45 cm, House of Art, Brno, Ludwig Museum – Museum of Contemporary Art, Collection Linea, Bratislava, Courtesy SODA gallery, © Photo: József Rosta
Ilona Németh, The Fog, 2013, public art event and video, 4’53’’, Freedom Square /Námestie Slobody, Bratislava, Courtesy SODA gallery, © Photo: Marián Ravasz
Ilona Németh, The Mirror, 2009, architect: Marián Ravasz, installation in public space, mirror, metal, metal construction, 535 x 788 cm, Honvéd Liget, Győr, Courtesy Ilona Németh/SODA gallery, © Photo: Marián Ravasz
Ilona Németh, Zsófia Meller/Agnes Heller, 2012, interactive video installation, folding screen, interactive foil, glass, metal, sensors, electronics, chair, 120 x 120 x 200 cm, Courtesy Ilona Németh/SODA gallery, © Photo: József Rosta