María Blanchard

1881Santander, Spain | 1932Paris, France
Informations

Spanish painter.

Born to a cultivated middle-class family from Santander, Franco-Polish on her mother’s side and Spanish on her father’s, María Gutiérrez-Cueto y Blanchard suffered from dwarfism and physical deformity. Encouraged by her relatives, she moved to Madrid to study under the best painters: Emilio Sala, Fernando Álvarez de Sotomayor, then Manuel Benedito – champions of academism with a slight hint of modernity. In 1909, she took advantage of a scholarship granted by her hometown to move to Paris, where she led a precarious and laborious life. She studied painting under the Spanish painter Anglada Camarasa and with Van Dongen at the Vitti Academy, then enrolled in the Vassilieff Academy. During this time, she was rewarded at the National Fine Arts Shows in Madrid in 1909 and 1910.

She returned to Spain in 1913, took part in the exhibition Pintores íntegros [“unbiased painters”] and was given a chair teaching drawing in Salamanca; but aggravations and incomprehension led her to move back to Paris in 1916. During this second stay in Paris, she first painted purely cubist still lives. She was one of the protégées of the gallerist Rosenberg and befriended avant-garde painters such as Juan Gris and André Lhote. Her Communicant caused a sensation at the Salon des Indépendants in 1921 for its ingenuity and expressionist ferociousness. She then proceeded to “return her work to order”, with a more figurative style tinged with cubist reminiscences in her portraits of children and mothers, which were often reproduced in several versions. Her solitary physiognomies make her language easily identifiable. Juan Gris’ death in 1927 deeply affected her, leading her to depression, for which she sought solace in devout religiosity. One of her last works, San Tarcicio, would become the inspiration for a Paul Claudel poem.

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Mathilde Assier

From the Dictionnaire universel des créatrices
© 2013 Des femmes – Antoinette Fouque
© Archives of Women Artists, Research and Exhibitions
María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, Composición cubista [Cubist Composition], 1916-1919, oil and collage on canvas, 154 x 114 cm

María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, Femme à la guitare, 1917, oil on canvas, 100 x 72 cm

María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, Mujer con abanico [Woman with a Fan], 1916, oil on canvas, 161 x 97 cm

María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, Nature morte, 1922, oil on canvas, 63 x 81 cm

María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, La convalescente, 1925-1926, pastel on cardboard, 100 x 73 cm

María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, La Bretonne, 1928-1930, pastel on paper, stuck on cardboard on canvas, 100 x 73 cm

María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, Niños [Children], 1923-1924, pastel on paper, stuck on cardboard on canvas, 101 x 74 cm

María Blanchard — AWARE Women artists / Femmes artistes

María Blanchard, La comulgante [Girl at Her First Communion], 1914, oil on canvas, 180 x 124 cm

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