“In this performance, we write as we read, unless it is the other way around. Cards laid out on the floor form the landscape around which we gather and tell our stories. This performance inhabits and exposes us like the spirit of the palsè. From body to body, from near to far, between 2pm and 9pm”.

Rester. Étranger is a kind of family. The family is the format of the work. Because Rester. Étranger is a work of art. What kind of art? A kind of art that is experimental. That is, an art in the making. Which is really experienced. A non-spectacular, non-exclusive, living kind of art. Which belongs to its makers. Those who breathe it. Those who sweat it. You are making it too. This moment when you engage in reading these lines belongs to you. You are getting in touch with an activity that grounds the experience of Rester. Étranger. An art practice that has no outside. That does not wait for an audience. Nor for the right place. Nor for the right time to happen. Rester. Étranger is happening and gives space to each person who encounters its activity. Crossing through what remains of the disoriented desire for camping in reality. A choreographic trajectory within the relation.