Articles
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Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Exhibition review
13.10.2019 | Mathilde Bartier
Helen Frankenthaler: the triumph of colour
Article
07.09.2019 | Madeline Murphy Turner
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Exhibition review
22.06.2019 | Mathilde Bartier
Takako Saito: playful art
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
23.03.2019 | Clément Dirié
Judy Chicago: Beyond The Dinner Party
Exhibition review
09.03.2019 | Vanessa Noizet
Ellen Gallagher, black, blue, aqueous
Thesis or dissertation abstract
07.10.2018 | Pauline Duverger
Joan Semmel and Sylvia Sleigh: Two Feminist Views on Male Intimacy
Thesis or dissertation abstract
25.05.2018 | Hélène Gheysens
Pierre Restany and Women Artists
Thesis or dissertation abstract
21.04.2018 | Jeanne Mathas
Blythe Bohnen and the Concept of the Body in Movement: From Plan to Line
Exhibition review
14.04.2018 | Camille Viéville
Susan Meiselas: Stretching the Photographic Moment
Exhibition review
06.04.2018 | Mathilde Belouali-Dejean
Liz Magor: Disrupting Habits
Exhibition review
27.03.2018 | Valentin Gleyze
Sheila Hicks at the Centre Pompidou: On Art as Sharing
Exhibition review
31.10.2017 | Gillian Sneed
“Bad Hombres, and Nasty Women”: Pacific Standard Time: LA/LA Examines Gender and Sexuality
Exhibition review
21.10.2017 | Mathilde Bartier
Nicola L.: a one-of-a-kind artist
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Exhibition review
25.08.2017 | Mathilde Belouali-Dejean
