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FR
EN
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Index
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A Place for Artists
Villa Vassilieff
Location
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-日本
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について
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Newsletter
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Filters
Reset
1990s
Research
105
Interviews
22
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Appropriationism
1
Outsider art
2
Conceptual art
9
Naïve art
1
École de Paris
2
Abstract expressionism
1
Land art
2
Minimalism
3
Nouveau Réalisme
2
Pop art
4
Realism
2
Surrealism
4
[Artist collectives]
16
Subjects
Abstraction
23
Allegory
14
Animals
16
Architecture
11
Autobiography
12
Self-portrait
27
Body positivity
2
Political issues
59
Social classes
7
Women's status
62
Consumerism
8
Human body
69
Cosmos
3
Colour
14
Discriminations
37
Documentary
7
Ecology
13
Writing
15
Childhood
8
Eroticism
8
Public space
9
Fantasy & dreams
13
Feminism
54
Party & nightlife
1
Gender fluidity
4
Geometry
8
War & conflicts
25
History
46
Art history & museum
19
Identity
28
Intimacy
13
Irony
12
Play
2
Language
14
Light
2
Magic & esotericism
1
Disease
2
Maternity
15
Mathematics
2
Media
7
Memory
34
Human migration
11
Fashion & clothing
2
Death
4
Myths, tales & legends
5
Nation
5
Nature
24
Still life
7
Nude
22
Landscape
20
Urban landscape
10
Spatial perception
1
Visual perception
4
Portrait
36
Postcolonialism
22
Advertisement
2
Queer
4
Racism
12
Religion & spirituality
12
Domestic scene
9
Science
5
Sexuality
10
Surveillance
1
Traditions
25
Work
9
Drag
5
Vegetal
10
Everyday life
30
Old age
2
Violence
18
Mediums
Applied arts
18
Ceramic
9
Graphic arts
92
Poster
2
Watercolour
14
Collage
10
Dessin (ink, pencil…)
37
Engraving & etching
9
Illustration
6
Artist book
8
Pastel
6
Journal
8
Screen printing
2
Audiovisual
41
Film
9
Digital
4
Sound
4
Video
23
Installation
78
Accumulation
3
Assemblage
12
Environment
6
Light installation
2
[Modes]
19
Ephemeral
3
Site-specific
10
Monumental
11
Painting
103
Acrylic
11
Mural
2
Gouache
5
Oil
34
Tempera
1
Performance
31
Photography
55
Analogue photography
20
Digital photography
8
Photojournalism
2
Sculpture
43
Plastic
1
Plaster
2
Resin
2
Clay
2
Textile
27
Embroidery
8
Sewing
1
Weaving
7
Countries
Africa
17
South Africa
3
Egypt
3
Ghana
2
Mozambique
1
Senegal
4
Central America and the Caribbean
3
North America
58
United States
51
Mexico
8
South America
31
Argentina
9
Brazil
11
Chile
4
Colombia
4
Peru
7
Venezuela
3
Asia
26
China
4
South Korea
3
India
2
Indonesia
2
Japan
11
Philippines
1
Singapore
1
Europe
137
Germany
20
Austria
6
Belgium
6
Bosnia-Herzegovina
1
Croatia
2
Denmark
4
Spain
7
France
71
Hungary
6
Ireland
1
Iceland
2
Italy
14
Lithuania
2
North Macedonia
1
Montenegro
1
Poland
5
Portugal
4
United Kingdom
24
Serbia
1
Slovenia
1
Switzerland
7
Middle East
14
Israel
4
Jordan
2
Lebanon
3
Palestine
2
Turkey
5
Oceania
7
Australia
6
France (New Caledonia)
1
Periods of
activity
XVIe siècle
2
17th century
3
18th century
5
19th century
17
20th century
178
1900s
11
1910s
14
1920s
19
1930s
24
1940s
23
1950s
32
1960s
62
1970s
104
1980s
106
21st century
126
2000s
94
2010s
107
2020s
52
Programmes
— Women Artists of the 1960s in Africa
2
— Women Artists in Japan, 19th–21st c.
8
— Rewriting Art History in the Americas
9
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
4
— TEAM: Teaching, E-learning, Agency, Mentoring
15
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Exhibition review
06.04.2018 | Mathilde Belouali-Dejean
Liz Magor: Disrupting Habits
Exhibition review
27.03.2018 | Valentin Gleyze
Sheila Hicks at the Centre Pompidou: On Art as Sharing
Interview
24.03.2018 | Nathalie Ernoult and ORLAN
ORLAN, between artist and robot
Exhibition review
06.03.2018 | Adiva Lawrence
Lubaina Himid and the Historically Forgotten
Exhibition review
10.02.2018 | Camille Viéville
Beatriz González: Popular and Political
Exhibition review
04.01.2018 | Camille Viéville
Rendering the Invisible Visible: Rachel Whiteread in London
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Interview
10.12.2017 | N'Goné Fall & Élise Atangana
N’Goné Fall: “Connecting yesterday, today and tomorrow”
Exhibition review
02.12.2017 | Camille Viéville
Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art
Exhibition review
24.11.2017 | Eva Belgherbi
On the Trail of Sophie Calle and Serena Carone: Beau doublé, monsieur le marquis!
Exhibition review
21.10.2017 | Mathilde Bartier
Nicola L.: a one-of-a-kind artist
Thesis or dissertation abstract
02.10.2017 | Nadine Atallah
Women, art and the nation. History of the exhibitions of two Egyptian women artists, from the 1950s to the present day: Inji Efflatoun and Gazbia Sirry
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Article
08.06.2017 | Hélène Trespeuch
The feminism of Sherrie Levine through the prism of the supposed “death of the author”
Exhibition review
27.12.2016 | Mathilde Bartier
Etel Adnan at the Arab World Institute
Article
25.10.2016 | Cecilia Braschi
Lina Bo Bardi and the magazine Habitat
Article
04.10.2016 | Annalisa Rimmaudo
Yoko Ono and the poetics of ephemerality
Exhibition review
20.09.2016 | Anne-Fleur Merlaud
Jann Haworth at galerie du Centre
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Archives
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Research
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