Articles
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Exhibition review
27.03.2018 | Valentin Gleyze
Sheila Hicks at the Centre Pompidou: On Art as Sharing
Interview
24.03.2018 | Nathalie Ernoult and ORLAN
ORLAN, between artist and robot
Exhibition review
06.03.2018 | Adiva Lawrence
Lubaina Himid and the Historically Forgotten
Exhibition review
10.02.2018 | Camille Viéville
Beatriz González: Popular and Political
Exhibition review
30.01.2018 | Marjorie Micucci
Hemali Bhuta, or the Exhibition as an Open-Air Landscape
Exhibition review
04.01.2018 | Camille Viéville
Rendering the Invisible Visible: Rachel Whiteread in London
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Exhibition review
12.12.2017 | Mathilde Hivert
In the heart of Echo Chamber by Anne-Marie Schneider
Interview
10.12.2017 | N'Goné Fall & Élise Atangana
N’Goné Fall: “Connecting yesterday, today and tomorrow”
Exhibition review
02.12.2017 | Camille Viéville
Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art
Exhibition review
24.11.2017 | Eva Belgherbi
On the Trail of Sophie Calle and Serena Carone: Beau doublé, monsieur le marquis!
Exhibition review
21.10.2017 | Mathilde Bartier
Nicola L.: a one-of-a-kind artist
Thesis or dissertation abstract
02.10.2017 | Nadine Atallah
Women, art and the nation. History of the exhibitions of two Egyptian women artists, from the 1950s to the present day: Inji Efflatoun and Gazbia Sirry
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, photographing to resist
Report
19.09.2017 | Mathilde Belouali-Dejean
30.6% of women artists at documenta 14 in Kassel
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Exhibition review
01.09.2017 | Mathilde Hivert
The machinations of Hélène Delprat at La Maison rouge
Report
16.08.2017 | Julie Richard
