The Traces of the Future research programme is dedicated to expanding the study and visibility of women in photography from Japan. Conceived in close dialogue with an advisory committee, the initiative explores these artists’ practices within a broader historical framework and in the context of contemporary discourse.

Texts for the programme have been commissioned from curators who are actively engaged in contemporary art and photography. These publications include interviews, articles, and artist biographies that offer an in-depth look at women’s contributions to photography in Japan, tracing a lineage from the period of modernization and the postwar era to the present day. The selection of photographers reflects not only the historical significance of their achievements but also the diversity of generations, subjects, and artistic approaches that have shaped the field. In doing so, the programme seeks to broaden narratives and perspectives within Japanese culture and art.

The title of the programme references Ishiuchi Miyako’s exhibition Mother’s 2000–2005: Traces of the Future, presented at the 2005 Venice Biennale and curated by Michiko Kasahara.

This initiative is supported by Marukawa Collection.