Ishiuchi Miyako, Mother’s #54, 2002, chromogenic print, 11 ¼ × 7 ½ in. (28.6 × 19.1 cm), collection of Ishiuchi Miyako, Courtesy of The Third Gallery Aya, ©︎ Ishiuchi Miyako
The “Traces of the Future” research programme is devoted to expanding the study and visibility of Japanese women photographers. Conceived in close dialogue with an advisory committee, the initiative explores their practices within broader historical contexts and contemporary discussions.
The programme’s texts have been commissioned from curators who are actively engaged in art and photography today. These publications include interviews, articles and artist biographies which provide an in-depth look at women’s contributions to photography in Japan, tracing a lineage from the period of Japan’s modernization and the postwar era to the present day. The selection of photographers reflects the historical significance of their achievements, as well as the diversity of generations, subjects, and artistic approaches that have shaped the field.
This initiative is supported by Marukawa Collection.
Director of the Nagano Prefectural Art Museum
Professor at Kyoto University of the Arts