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AWARE
AWARE
FR
EN
About
Missions
Programmes
Team
Sponsors
Support us
FAQ
Index
Read
Focus
Articles
Publications
Resources
Watch and Listen
Podcasts
Animated series
Video archive
A Place for Artists
Villa Vassilieff
Location
Research Centre
Residencies
Events
Prix AWARE
At the Villa Vassilieff
Off-site
AWARE-USA
AWARE
-日本
AWARE
について
プログラム
作家
記事
ご支援
Support us
Newsletter
Social media
Acrylic
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Fields
Architecture
9
Decorative arts & design
3
Visual arts
1438
Artistic Movements
Geometric abstraction
45
Lyrical abstraction
22
Appropriationism
5
Conceptual art
85
Cubism
30
Expressionism
36
Member of a collective
112
Pop art
46
Realism
37
Subjects
Abstraction
372
Allegory
131
Animals
181
Architecture
138
Autobiography
135
Self-portrait
197
Body positivity
13
Political issues
394
Social classes
105
Women's status
332
Human body
467
Cosmos
56
Colour
232
Dance
80
Discriminations
161
Documentary
135
Writing
178
Childhood
119
Eroticism
83
Fantasy & dreams
87
Feminism
316
Geometry
158
War & conflicts
156
History
291
Art history & museum
76
Identity
225
Intimacy
118
Irony
65
Language
90
Light
88
Machine & technology
35
Magic & esotericism
9
Mannequins & dolls
41
Maternity
120
Media
64
Memory
216
Human migration
103
Modernity
34
Death
74
Myths, tales & legends
102
Nation
56
Nature
280
Still life
160
Food
21
Nude
167
Landscape
320
Urban landscape
167
Spatial perception
30
Portrait
453
Postcolonialism
110
Racism
75
Religion & spirituality
205
Sexuality
135
Traditions
244
Vegetal
180
Everyday life
302
Violence
147
Mediums
Objects
224
Glassware
3
Graphic arts
832
Collage
211
Drawing (ink, pencil…)
546
Engraving & etching
234
Illustration
106
Artist book
90
Pastel & wax
111
Journal
26
Screen printing
76
Performing arts
34
Dance
7
Set design
60
Audiovisual
360
Film
132
Sound
81
Video
251
Concepts
28
Space & installation
521
Accumulation
98
Assemblage
246
Environment
145
[Modes]
135
Site-specific
119
Monumental
133
Painting
862
Mural
42
Gouache
100
Oil
502
Tempera
34
Performance
242
Photography
434
Digital photography
101
Sculpture
466
Cement & concrete
35
Wood
119
Bronze
99
Wax
18
Marble
29
Metal
140
Plastic
48
Plaster
84
Clay
99
Glass
26
Textile
212
Countries
Africa
102
Central America and the Caribbean
42
Cuba
11
Haiti
6
North America
385
Canada
26
United States
337
South America
108
Venezuela
5
Asia
211
India
17
Japan
69
Thailand
6
Europe
809
Germany
116
Austria
20
Belgium
21
Norway
13
Czech Republic
13
United Kingdom
106
Middle East
110
Israel
51
Palestine
15
Oceania
49
Periods of
activity
XVIe siècle
4
17th century
8
18th century
25
19th century
103
20th century
1299
1940s
317
1950s
396
1960s
537
1970s
639
1980s
744
1990s
891
21st century
847
2000s
846
2010s
752
2020s
552
Programmes
— + 1
24
— Amazons of Pop, 1961–73
13
— Women Artists of the 1960s in Africa
21
— 18th-Century Women Artists
28
— Southeast Asian Women Artists
32
— Women Artists in Japan, 19th–21st c.
30
— Radical Women: Latin American Art, 1960–85
13
— AWARE & MACBA
7
— AWARE x Canada
9
— AWARE x Luxembourg
4
— AWARE x Musée d’Orsay
36
— Common Ground
3
— Women in Abstraction
31
— Le Louvre & AWARE
14
— Les architectes
7
— New Media, 1960s-1990s
10
— Netherlands–Caribbean, 19th–21st c.
12
— Photographers from Japan
5
— Rewriting Art History in the Americas
48
— Season Africa2020
23
— TEAM: Teaching, E-learning, Agency, Mentoring
177
The indexed biographies correspond to artists born between 1664 and 1974.
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1924 — 2005 | Haïti
Louisiane Saint-Fleurant
1926 — Cuba | 2024 — Puerto Rico
Zilia Sánchez
1961 | Thailand
Pinaree Sanpitak
1969 | Israel
Yehudit Sasportas
1939 — 1988 | Japan
Sayako Kishimoto
1940 — Mandatory Palestine | 2022 — United Kingdom
Laila Shawa
1945 | India
Nilima Sheikh
1970 | Israel
Khen Shish
1926 — 2014 | Czech Republic
Adriena Šimotová
1929 — 2015 | Norway
Inger Sitter
1916 — United Kingdom | 2010 — United States
Sylvia Sleigh
1940 | United States
Antonieta Sosa
1924 — 2019 | United States
May Stevens
1933 — 2013 | Austria
Ceija Stojka
1958 | United States
Renee Stout
1931 — 2014 | United States
Marjorie Strider
1930 | United States
Sturtevant
1923 | Canada
Françoise Sullivan
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