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Index
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1940s
Research
98
Interviews
20
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Art Déco
1
École de Paris
2
Surrealism
4
[Artist collectives]
13
Subjects
Abstraction
23
Allegory
14
Animals
15
Architecture
11
Autobiography
12
Self-portrait
26
Political issues
56
Women's status
61
Human body
68
Discriminations
36
Documentary
6
Childhood
8
Eroticism
8
Public space
9
Fantasy & dreams
13
Feminism
53
War & conflicts
25
History
44
Art history & museum
15
Identity
26
Industry
4
Intimacy
13
Maternity
14
Memory
31
Human migration
11
Death
4
Nation
5
Nature
22
Still life
7
Nude
22
Landscape
16
Urban landscape
9
Portrait
35
Postcolonialism
20
Religion & spirituality
12
Domestic scene
9
Traditions
24
Everyday life
29
Mediums
Applied arts
17
Graphic arts
90
Watercolour
14
Dessin (ink, pencil…)
36
Engraving & etching
8
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6
Artist book
8
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6
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8
Audiovisual
39
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77
[Modes]
19
Monumental
11
Painting
96
Gouache
5
Oil
29
Performance
30
Photography
52
Analogue photography
20
Photojournalism
2
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4
Sculpture
42
Wood
1
Bronze
5
Metal
5
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4
Plaster
2
Textile
26
Embroidery
7
Countries
Africa
16
Algeria
3
Central America and the Caribbean
2
France (Antilles)
1
North America
57
Canada
3
United States
50
Mexico
8
South America
29
Argentina
9
Peru
6
Uruguay
2
Asia
24
China
4
Japan
10
Europe
132
Albania
1
Germany
20
Austria
6
France
69
Georgia
1
Hungary
6
United Kingdom
24
Switzerland
7
Middle East
14
Iraq
2
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2
Turkey
5
Oceania
7
Australia
6
Periods of
activity
17th century
1
18th century
3
19th century
15
1850s
2
1860s
3
1870s
3
1880s
6
1890s
8
20th century
169
1900s
11
1910s
14
1920s
19
1930s
24
1950s
30
1960s
57
1970s
99
1980s
102
1990s
91
21st century
121
2000s
89
2010s
103
Programmes
— Women Artists in Japan, 19th–21st c.
6
— Rewriting Art History in the Americas
7
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Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
12.04.2024 | Christelle Lozère
The major role of women artists in the history of art of the French Antilles in the context of slavery and post-slavery
Article
21.04.2023 | Yukiko Yokoyama
A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Article
21.06.2020 | Paul Narjoz-Delatour
The Evolution of the Artistic Portrayal of Women by Chinese Female Artists in the 20th Century
Article
18.01.2020 | Georgina G. Gluzman
María Carmen Portela: art, politics, new women, and social commitment
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Thesis or dissertation abstract
04.05.2019 | Margot Eben
Being a woman sculptor in the first half of the 20
th
century: the case of Claire J. R. Colinet
Thesis or dissertation abstract
19.01.2019 | Marine Picard
Germaine Richier and the Performance of Female Subjectivity and Agency
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
Exhibition review
01.08.2018 | Hélène Gheysens
Maria Lassnig: an epiphany of perception
Exhibition review
17.03.2018 | Mathilde Hivert
The Game of Life by Charlotte Salomon
Thesis or dissertation abstract
14.10.2017 | Nikoleta Tsagkari
Eroticism in Isabelle Waldberg’s Sculpted Work
Exhibition review
06.10.2017 | Hélène Gheysens
Germaine Richier at Mont-Saint-Michel, Marked by Metamorphosis
Exhibition review
13.09.2017 | Hélène Gheysens
“Fahrelnissa Zeid”, the honey of life, at Tate Modern
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