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Documentary
Research
103
Interviews
22
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Academic art
1
Viennese Actionism
1
Appropriationism
1
Outsider art
2
Conceptual art
9
Body art
1
Art Déco
1
Naïve art
1
École de Paris
2
Expressionism
1
Abstract expressionism
1
Fauvism
1
Land art
2
Minimalism
3
Nouveau Réalisme
2
New Objectivity
1
Pop art
4
Realism
2
Surrealism
4
Symbolism
3
[Artist collectives]
16
Subjects
Abstraction
23
Allegory
14
Animals
16
Political issues
59
Social classes
7
Women's status
62
Human body
69
Cosmos
3
Ecology
13
Writing
15
Public space
9
Feminism
54
War & conflicts
25
History
46
Art history & museum
17
Identity
28
Intimacy
13
Play
2
Disease
2
Maternity
15
Media
7
Memory
34
Human migration
11
Nation
5
Nature
24
Nude
22
Spatial perception
1
Portrait
36
Postcolonialism
22
Surveillance
1
Traditions
25
Work
9
Vegetal
10
Everyday life
30
Violence
18
Mediums
Applied arts
18
Graphic arts
91
Dessin (ink, pencil…)
36
Engraving & etching
8
Illustration
6
Audiovisual
41
Digital
4
Video
23
Installation
78
Accumulation
3
Assemblage
12
[Modes]
19
Ephemeral
3
Site-specific
10
Monumental
11
Painting
101
Acrylic
11
Oil
32
Tempera
1
Performance
31
Photography
55
Analogue photography
20
Digital photography
8
Sculpture
43
Clay
2
Textile
27
Embroidery
8
Crochet & knitting
1
Weaving
7
Countries
Africa
17
Mozambique
1
Central America and the Caribbean
3
North America
58
South America
31
Argentina
9
Peru
7
Asia
26
Europe
135
Germany
20
Italy
14
United Kingdom
24
Middle East
14
Iran
2
Iraq
2
Syria
1
Turkey
5
Oceania
7
Australia
6
Periods of
activity
17th century
1
18th century
3
19th century
15
20th century
176
1940s
23
1950s
32
1960s
62
1970s
104
1980s
106
1990s
96
21st century
126
2000s
94
2010s
107
2020s
52
Programmes
— Women Artists of the 1960s in Africa
2
— Rewriting Art History in the Americas
9
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
4
— TEAM: Teaching, E-learning, Agency, Mentoring
15
Article
20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
08.11.2024 | María Laura Rosa
Mónica Millán and the community of weavers of Yataity del Guayrá
Article
27.09.2024 | Isabel Käser and Houzan Mahmoud
Landscapes of War: Women and Art Making in South Kurdistan
Article
26.07.2024 | Jacqueline Millner
Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising
Article
10.11.2023 | Alexandra Symons Sutcliffe
Dispossessed: Portraiture and Property in the Case of Astrid Proll
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