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AWARE
AWARE
FR
EN
About
Missions
Programmes
Team
Sponsors
Support us
FAQ
Index
Read
Focus
Articles
Publications
Resources
Watch and Listen
Podcasts
Animated series
Video archive
A Place for Artists
Villa Vassilieff
Location
Research Centre
Residencies
Events
Prix AWARE
At the Villa Vassilieff
Off-site
AWARE-USA
AWARE
-日本
AWARE
について
プログラム
作家
記事
ご支援
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Lesbian visibility
Research
105
Interviews
22
Review
88
Artistic Movements
Conceptual art
9
Subjects
Self-portrait
27
Political issues
59
Women's status
62
Human body
69
Discriminations
37
Eroticism
8
Feminism
54
Gender fluidity
4
History
46
Identity
28
Memory
34
Portrait
36
Queer
4
Racism
12
Sexuality
10
Drag
5
Trans visibility
5
Mediums
Applied arts
18
Graphic arts
92
Audiovisual
41
Installation
78
[Modes]
19
Painting
103
Performance
31
Photography
55
Analogue photography
20
Sculpture
43
Textile
27
Countries
Africa
17
South Africa
3
Central America and the Caribbean
3
North America
58
United States
51
Mexico
8
South America
31
Brazil
11
Chile
4
Peru
7
Asia
26
Europe
137
Netherlands
3
Middle East
14
Oceania
7
Periods of
activity
XVIe siècle
2
17th century
3
18th century
5
19th century
17
20th century
178
1960s
62
1970s
104
1980s
106
21st century
126
2000s
94
2010s
107
Programmes
— Women Artists of the 1960s in Africa
2
— 18th-Century Women Artists
2
— Women Artists in Japan, 19th–21st c.
8
— Le Louvre & AWARE
3
— New Media, 1960s-1990s
1
— Rewriting Art History in the Americas
9
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
4
— TEAM: Teaching, E-learning, Agency, Mentoring
15
Article
18.02.2022 | Isabelle Alfonsi
Should We Still Be Laying Claim to the Word “Woman”?
Exhibition review
31.10.2017 | Gillian Sneed
“Bad Hombres, and Nasty Women”: Pacific Standard Time: LA/LA Examines Gender and Sexuality
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, photographing to resist
Archives
of Women Artists
Research
& Exhibitions
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