Cécile Bart

1958 | Dijon, France
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Sponsor
— Galerie Chez Valentin

French painter.

Cécile Bart is one of France’s most prominent contemporary abstract painters. After studying at the École nationale supérieure d’art in her hometown and finding inspiration in minimalist experimentation and modern abstraction, she started creating her first “screen/paintings”. The originality of her approach resides in her use of translucent Terylene screens, which she coats with paint that she wipes away several times, until it reaches the required density. When juxtaposed, these monochromatic squares can be arranged in a wide variety of chromatic combinations – they can be laid out on the floor, applied to the wall, or framed and suspended in the centre of a room, perpendicularly to the walls or along the windows. Lighting and the viewer’s mobility are essential components of her works, which rely on the interplay of optical effects and chance.

In 1989, Bart presented a large-scale installation, Cadrer, in the nave of the musée d’Art moderne de la Ville de Paris. Twenty years later, on the occasion of her solo exhibition at the Frac Bourgogne in Dijon, she hung 21 of her large rectangle paintings so that they hovered a few centimetres above the floor. Through a methodical alternation of greys, ochres, carmines and blues, the work finds its rhythmic pattern in the tilting of the panels at various angles. Bart first used stretched wool or cotton thread in her work in the 2000s, with with AM, a tribute installation to the painter Agnes Martin (1912-2004) on the occasion of a group exhibition at the Couvent des Cordeliers in Paris. Six large blue rectangles of fabric were hung from the beams of the building, each alternating with six parallel rows of pale-coloured threads. Bart created her first circular installation of multi-coloured threads in 2006 for a collective exhibition in Sète. She called the series Toros, in reference both to Marcel Duchamp’s Rotoreliefs.. In 2010, the Chapelle de l’Oratoire, an annex of the musée des Beaux-arts in Nantes, presented a series of these coloured aerial threaded structures. Her Virevoltes, which are made to hang from the ceiling to the floor, determine the way viewers can circulate through the installation while also opening up their perspective.

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Pauline Guélaud

From the Dictionnaire universel des créatrices
© 2013 Des femmes – Antoinette Fouque
© Archives of Women Artists, Research and Exhibitions
Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, Suspens (Groupe 4), 2009, glycerophtalic painting on Tergal Plein Jour, aluminium chassis, cables, 2 elements 190 x 190 cm and 1 element 320 x 227 cm, Courtesy Cécile Bart and galerie Chez Valentin, Paris

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, Vitres rouges, vitres noires, 1987, glycerophtalic painting on Tergal Plein Jour, metal chassis, 93 3/10 x 57 7/8 in., 237 x 147 cm each, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo: Marielys Lorthios

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, View of the exhibition “Histoires de musée”, 1989, MAM-VP, Musée d’art moderne de la Ville de Paris, 1989, Courtesy Cécile Bart et  galerie Chez Valentin, Paris, © Photo: André Morin – Cécile Bart

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, View of the exhibition “Histoires de musée”, 1989, MAM-VP, Musée d’art moderne de la Ville de Paris, 1989, Courtesy Cécile Bart et galerie Chez Valentin, Paris, © Photo: André Morin – Cécile Bart

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, To come in, 1992, glycerophtalic painting on Tergal Plein Jour, aluminium chassis, 212 x 295 cm each, Courtesy Cécile Bart et galerie Chez Valentin, Paris, © Photo: Hugo Glendinning

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, View of the exhibition “Habiter”, 1994, Villa Arson, centre national d’art contemporain, Nice, France, 1994, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo: Jean Brasille – Cécile Bart

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, Restaurer, 1994, glycerophtalic paint on Tergal Plein Jour, smoothed on panoramic paint paper, 170 x 170 cm each, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo: Marc Domage

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, Tanzen, 1998, glycerophtalic painting on Tergal Plein Jour, metal chassis, 66 15/16 x 74 8/10 in., 300 x 190 cm each, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo:  H.Helfenstein

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, Chassé/Tramé, 2000, glycerophtalic paint on Tergal Plein Jour, smoothed on wall, 300 x 300 cm, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo: Frédérique Valentin – Cécile Bart

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, Vue de l’exposition « Les fils de Marcel », CRAC Languedoc-Roussillon, Sète, France, 2006, Courtesy Cécile Bart et galerie Chez Valentin, Paris, © Photo: Cécile Bart

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, Virevoltes, 2010, Wool and cotton yarns fixed on a circular wooden support, lead weights, 4 18/25 high, 12 m high, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo : Cécile Clos – Cécile Bart

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, View of the exhibition “Odd or even”, 2011, Galerie chez Valentin, Paris, France, Courtesy Cécile Bart and galerie Chez Valentin, © Photo: Florian Kleinefenn

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, View of the exhibition “Suspens at Geneva”, MAMCO, Musée d’art moderne et contemporain de Genève, Geneva, Swiss, 2012, Courtesy Cécile Bart et galerie Chez Valentin, Paris, © Photo:  Cécile Bart

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, View of the exhibition “Damiers, Diegos, Monos”, 2015, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo: Sylvie Chan-Liat

Cécile Bart — AWARE Women artists / Femmes artistes

Cécile Bart, View of the exhibition Silent Show, CCC OD – Centre de Création Contemporaine Olivier Debré, Tours, France,  2017, Courtesy Cécile Bart and galerie Chez Valentin, Paris, © Photo: Emmanuel Decouard

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