“Southbank contemporary”, Art Monthly Australia, March 2015, Number 277, p. 10
→Dan Rule, “Destiny Deacon”, Artist Profile, Issue 22, 2013, pp 65-72
→Stephen Gilchrist, Crossing Cultures, exh. cat., Hood Museum of Art, Dartmouth College, University Press of New England, September 2012 – March 2013, pp. 59-60
Destiny Deacon : Artist Room, MCA Collection, Museum of Contemporary Art, Australia, May – December 2019
→RACE, Wyndham Art Gallery, Werribee, VIC, July – August 2016
Australian photographer.
Originating from the Aboriginal nations of Kuku (northern Australia) and Erub/Mer (Torres Strait), Destiny Deacon grew up in Melbourne where she worked as a teacher, hosted radio shows and wrote scripts for television series. Self-taught, she has been practising photography and video since the 1980s. Through deliberately ambiguous scenarios, she explores notions of race, sexuality and gender, and the denigration and violence that have marked Australia’s history (Forced Into Images, 2002; Tax Free Kangaroos, 1992). The artist stages dolls, tourist objects, Chinese ornaments and costumes in various situations as metaphors of contemporary life to denounce the Western stereotypes projected onto the Aboriginal people (Blak Lik Mi, 1991; I Seen Myself, 1991).