Rosa, María Laura, “The Female Body and Spirituality in Ilse Fusková’s El Zapallo (1982) Series”, in Iconic Works of Art by Feminists and Gender Activists – Mistress-Pieces, London, Routledge, 2021→
Rosa, María Laura, Ilse Fusková, Buenos Aires, waldengallery, 2019→
Rosa, María Laura, Novoa Donoso, Soledad, Compartir el mundo. La experiencia de las mujeres y el arte, Santiago de Chile, Metals Pesados, 2017
La imagen secuenciada, Tabakalera, San Sebastian, June-Octobre 2021→
La libertad de pasear sola, waldengallery, Buenos Aires, August-September 2019→
La curiosidad de Felka: Ilse Fusková Fotógrafa (1950-1980), Centro Cultural de la Cooperación – Floreal Gorini, Buenos Aires, September-October 2018
Artist, photographer, Argentine lesbian feminist activist.
Ilse Fusková studied at the Escuela Nacional Bellas Artes Prilidiano Pueyrredón and the Escuela Superior de Bellas Artes de la Nación Ernesto de la Cárcova, and later deepened her practice of photography with Horacio Coppola and Grete Stern. Early in her career she studied journalism at the Instituto Grafotécnico of the Asociación Obra Cardenal Ferrari. This profession linked her more closely with photography and brought her into the public space.
During the 1940s, she worked as flight attendant for Scandinavian Airlines. Her global travels in propeller-driven airliners allowed her to experience the lifestyle of the New Woman, a feminist ideal representing an atypical modern woman whose conduct transgressed traditional bonds and boundaries and the obligations to which women were subjected. She was able to wander about the world as a kind of airborne flâneuse.
As a photographer, I. Fusková produced a portrait of Buenos Aires and its suburbs, documenting poor and marginalised people – as can be seen in one of her first series, Niños de la Isla Maciel [Children of Maciel Island, 1946-1955] – as well as older people, factory workers and labourers, in sharp contrast to the reigning abstraction of the Modernist period. She also portrayed artists and other cultural celebrities, many of them friends she had made as a figure in the Buenos Aires bohemian scene herself.
During the heyday of glossy magazines such as El Hogar, Historium, Mundo Argentino and Para Ti, she published not only her photographs but also her thoughts and reflections about the role of women. She wrote news articles and opinion pieces for Chicas (1951-1954) using the pen name Felka.
After a period absorbed in family life, in the 1970s and during the military dictatorship she became close to the Women’s Liberation Movement. After a decade of thinking and activism, she produced the series El Zapallo [The Pumpkin, 1982], twenty photographs in which she physically and mentally explores fertility. By training a woman’s lens on women’s naked bodies, this foundational, path-breaking work interrogates the patriarchal system in art history.
In the mid-1980s, I. Fusková was part of the Imagema group founded by Horacio Coppola (1906-2012) and Juan José Guttero (b. 1931), and became a lesbian feminist activist. In 1992 she joined Gays por los Derechos Civiles, and, with Carlos Jáuregui, and together they organised the first LGBT Pride march in Buenos Aires. She had recognized herself as a lesbian at the age of fifty, and shared her lesbian activism with her partner Claudina Marek, with whom she wrote the book Amor de mujeres. El lesbianismo en la Argentina, hoy (1994), a dialogue with Silvia Schmid. This book, published during a period of social and political upheaval, is testament to what it means to be a lesbian in Argentina today, amidst a struggle for acceptance and sexual liberation. Over the following decades, she has continued attending feminist meetings and publishing articles and books to popularise her ideas and encourage activism.
A notice produced as part of the TEAM international academic network: Teaching, E-learning, Agency and Mentoring
Ilse Fusková (Felka), Sin título (primera fotografía) [Untitled (first photograph)], 1953, black and white photograph, sepia vintage 35 mm, 29.5 x 23.6 cm
Ilse Fusková (Felka), serie Niños de Isla Maciel [Children of Isla Maciel], 1956, black and white photograph, sepia vintage 35 mm, 29.5 x 23.6 cm
Ilse Fusková (Felka), Retrato de la artista Noemí Gerstein [Portrait of the artist Noemí Gerstein], 1955, negative 35 mm, 19 x 18.2 cm
Ilse Fusková (Felka), Sin título (Mujer observando la ciudad. Isabel Molinero) [Sans titre (Woman watching the city. Isabel Molinero)], 1957, black and white photograph, sepia vintage 35 mm, 35.5 x 26.8 cm
Ilse Fusková (Felka), Retrato del artista Alberto Greco [Portrait of the artist Alberto Greco], 1957, black and white photograph, sepia vintage, 35 mm, 20.3 x 23.4 cm
Ilse Fusková (Felka), Retrato de la artista Leonor Vasena [Portrait of the artist Leonor Vasena], 1957, black and white photograph, 35 mm, 28 x 25.5 cm
Ilse Fusková (Felka), Retrato de la artista Mabel Rubli [Portrait of the artist Mabel Rubli], 1957, black and white photograph, 35 mm, 20.5 x 18.5 cm
Ilse Fusková (Felka), Retrato de la escritora Beatriz Guido [Portrait of the artist Beatriz Guido], 1957, black and white photograph, 35 mm, 18.5 x 23.8 cm
Ilse Fusková (Felka), from the serie El zapallo [The pumpkin], 1982, black and white photograph, 35 mm, 12.5 x 8.5 cm