Isabel Steva Hernández (Colita)

1940 | Barcelona, Spain
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Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Portrait of Isabel Steva Hernández “Colita” in her archives © Francesc Polop, courtesy Archivo Colita Fotografía

Catalan photographer.

Isabel Steva Hernández, nicknamed “Colita”, is one of Catalonia’s best-known photographers. Among the subjects addressed in her enormous body of work are the world of flamenco, theatre and show business in general, the 1970s feminist movement, and scenes and urban landscapes of her beloved Barcelona.
Colita was born into a middle-class family in the Barcelona neighbourhood of L’Eixample. After her graduation from a Catholic high school, her parents enrolled her in secretarial school, a mandatory rite of passage for women in those days because it supposedly facilitated their entry into a profession and consequently a degree of economic autonomy before marriage. But she totally rejected marriage, and instead moved to Paris in 1957 to study French language and culture at the Sorbonne. The following year, stricken with nostalgia, she returned to Barcelona, where she met the photographers Oriol Maspons (1928-2013), Julio Ubiña (1921-1988), Francesc Català Roca (1922-1998) and Xavier Miserachs (1937-1998). Learning about photography was the first step in her subsequent career as an artist. In 1961 she acquired professional skills in the studio of  Xavier Miserachs, who employed her as a secretary and taught her darkroom techniques.

Colita saw photography as a tool to produce memory and community. At the same time, as the art historian Laura Terré has pointed out, she rejected the conception of this medium as a mirror and instead emphasised its expressive powers. She conceived her pictures as a homage to the life and work of her contemporaries, the spaces they inhabited and their worldly activities. In her first exhibition, La Gauche qui rit [The smiling left] (Sala Aixelà, Barcelona, 1971) she presented numerous portraits of her current friends, a group of intellectuals and artists who earned the nickname “Gauche Divine” [Divine left] through  their irreverence, exuberance and creativity, in contrast to the orthodoxy of the Spanish Communist Party. She also took disturbing photos of flamenco dancers and their surrounding, some of the most notable appearing in the album Luces y sombras del mundo del flamenco [Light and shadow of the flamenco world, 1975].

Equally determinate was her partisanship with the feminist movement through her work as a photojournalist and designer for the magazine Vindicación Feminista (1976-1979), a core publication of second wave feminism in Spain, and Antifémina (1977), a photo book with a text by the writer Maria Aurèlia Capmany. This publication sought to “render visible the other side of the typical image of women” and go more deeply into the concept of “antifeminine”, meaning the vast majority of women who do not fit the aesthetic, ethical and moral standards imposed by patriarchy.

In 1998 the Barcelona city government awarded her the Medalla al Mérito Artístico, and in 2004 she received the Cruz de Sant Jordi from the Generalitat de Cataluña. Her work can be seen in museums such as the Museo Nacional de Arte de Cataluña (MNAC), the Fundación Joan Brossa, the Archivo Nacional de Catalunya and the Archivo Municipal de Barcelona.

Inés Molina

Translated from the Spanish by Leo Stephen Torgoff.

A notice produced as part of the TEAM international academic network: Teaching, E-learning, Agency and Mentoring


© Archives of Women Artists, Research and Exhibitions
Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Obrera. Trabajo o faena [Worker. Work or Labour], series Antifémina [Antifeminine], 1976 / later print 2011, gold-toned chlorobromide print on paper, 17.7 x 17.8 cm, Centro de Documentación del Museo Nacional Centro de Arte Reina Sofía © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Barrio de la Verneda Barcelona [Verneda neighborhood, Barcelona], 1978 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, El gallo de El Prat de Llobregat [The rooster from El Prat de Llobregat], 1984 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Carmen Amaya en Los Tarantos, 1963 / later print 2011, gelatine silver print on paper, 27.7 x 38.2 cm, Centro de Documentación del Museo Nacional Centro de Arte Reina Sofía © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Gitanos de Montjuic [Gypsies from Montjuic], 1963 / later print 2011, gold-toned chlorobromide print on paper, 17.9 x 23.9 cm, Centro de Documentación del Museo Nacional Centro de Arte Reina Sofía © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Gran nevada, monjas en el tejado, Barcelona [Great snowfall, nuns in the roof, Barcelona], 1962 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, La Fernanda y la Bernarda. Utrera [Fernanda and Bernarda. Utrera], 1969 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Niña de comunión, Barcelona [Girl at communion, Barcelona], 1963 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Novios gitanos. Barcelona [Gypsy couple. Barcelona], 1962 / later print 2011, Gold-toned chlorobromide print on paper, 17.9 x 18 cm, Centro de Documentación del Museo Nacional Centro de Arte Reina Sofía © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Orson Welles. Cardona, 1969 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Puerto de Barcelona [Barcelona’s port], 1966 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Putas del Barrio Chino. Barcelona [Prostitues from China Town], 1969 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Romy en Metamorfosis, Barcelona [Romy in Metamorfosis, Barcelona], 1970 © Archivo Colita Fotografía

Isabel Steva Hernández (Colita) — AWARE Women artists / Femmes artistes

Isabel Steva Hernández “Colita”, Viuda y nichos. Cementerio de Poblenou. Barcelona [Widow and niches. Poblenou’s cemetery. Barcelona], 1979 © Archivo Colita Fotografía

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