Lee Lozano

1930Newark, United States | 1999Dallas, United States
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Lee Lozano — AWARE Women artists / Femmes artistes

Hollis Frampton, Lee Lozano, 1963, 20.3 x 25.4 cm, © Collection Albright-Knox Art Gallery, © Hollis Frampton

American draughtswoman and painter.

Trained in Chicago, Lee Lozano became an activist icon of the New York scene during the 1960s and was a member of the international art world from 1960 to 1972. Hers was a short, intense, and dazzling career, which she chose to end with the work General Strike Piece (1969), which would serve as a sort of final testament to her artistic trajectory. Strongly influenced by the predominantly masculine environment of the art world of the time, she produced drawings she referred to as “comix”, in which she ironically transformed “virile” symbols and attributes – such as screws, hammers, bit-braces, and monkey wrenches–into phallic forms in a generalized eroticization of objects. Revisiting the clichés of conceptual art, and the pop and schematized graphics of Claes Oldenburg, Lozano threw a cutting and provocative look at the disagreements and dissension that marked artistic debate at the time. Behind its apparently affective distance, her graphical work was no less marked by a self-aware violence and a strong emotional charge. Painting occupied an important place in her work. In 1964 her work was exhibited alongside that of many influential artists of the time, such as Robert Morris and Donald Judd, at the Green Gallery. Producing large canvases, she navigated between the precision of minimalism and the power of abstract expressionism.

Although her work was championed initially by feminist critics, and in particular by Lucy Lippard, in 1971 she brusquely turned away from feminism and from women in general, just a few months before her withdrawal from the art world. It was above all due to her fierce ideological commitment that Lee Lozano’s name has not been forgotten. Although her art long remained in the shadows following her deliberate self-alienation, it was recently given a large retrospective at the Moderna Museet in Stockholm.

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Claire Bickert

Translated from French by Timothy Stroud.

From the Dictionnaire universel des créatrices
© 2013 Des femmes – Antoinette Fouque
© Archives of Women Artists, Research and Exhibitions
Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Untitled (Tool), c. 1963, pencil and crayon on paper, 58.4 x 73.7 cm, © MoMA, © Lee Lozano

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, HARD, 1964, graphite and pastel on paper, 72.4 x 57.2 cm, private collection, © Lee Lozano

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Thesis, 1968, print on paper, hardcover, satin ribbon, 7.5 x 12 x 1 cm, © Photo : Yves Chenot, © Cnap, © Rights reserved

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Untitled, 1962, oil on canvas in silver painted frame, 370.3 x 334.8 x 19.8 cm, 145.8 x 131.8 x 7.8 in., private collection, © Lee Lozano

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Untitled, c. 1962, crayon and graphite on beige wove paper, 22.1 x 28.5cm, © Harvard Art Museums/Fogg Museum, Margaret Fisher Fund, © Lee Lozano

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Untitled, 1963, oil on canvas, two panels, 238.8 x 254 cm, © MoMA, © Lee Lozano

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Untitled (Tool), c. 1964, pencil and crayon on paper, 25.4 x 73.7 cm, © MoMA, © Lee Lozano

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Thesis, 1968, print on paper, hardcover, satin ribbon, 7.5 x 12 x 1 cm, © Photo : Yves Chenot, © Cnap, © Rights reserved

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, A Boring Drawing from the portfolio New York 10/69, 1969, offset, 50.8 x 64 cm, © MoMA, © Photo: John B. Turner Fund, © Lee Lozano

Lee Lozano — AWARE Women artists / Femmes artistes

Lee Lozano, Untitled, undated, graphite on sketch paper, collection Gemeentemuseum Den Haag, © Lee Lozano

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