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Suzanne Lacy

1945 | Wasco, United States
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— Suzanne Lacy

American multimedia artist, writer and activist.

Suzanne Lacy is a pioneer feminist artist in the United States. Her artistic practice has infiltrated media and political campaigns centred on “social themes and urban questions”, as she herself says. Since the 1970s this radically political art, in collaboration with the public and other artists, has aimed at what she called the three Ps: positionality, performance and participation. She is also a writer and teacher: she was dean at the California College of the Arts, and later director at the Center for Fine Art and Public Life, and was also chair of Fine Arts at Otis College of Art and Design; she published Mapping the Terrain: New Genre Public Art (1995). Beginning in the 1970s, in collaboration with feminist writers and activists, The Violence Series projects, aimed at shedding light on the strategies and methods of ordinary violence, mobilised people of all social classes. In 1977 she realised Three Weeks in May with Leslie Labowitz, an “expanded” performance comprised of political speeches, televised interventions and self-defence lessons for women in light of a renewed violence against women.

From 1991 to 2000, The Oakland Projects brought together installations, performances and political actions led by the youth from Oakland, California. Places of diversity and political activism, the public schools brought together large African-American, Latino and Asian populations. S. Lacy worked there under the acronym TEAM (Teens Educators Artists Media Makers), proposing workshops, courses and media interventions, as well as an institutional programme. This project was one of the richest experiences for public policy, the integration of diverse communities and the role of the youth in the visual arts. Similarly, the participatory project Evoking History: The Borough Project in the 2000s aimed to spark a civic discourse about the future of Charleston, South Carolina and its surrounding area.

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Marion Daniel

Translated from French by Katia Porro.

From the Dictionnaire universel des créatrices
© 2013 Des femmes – Antoinette Fouque
© Archives of Women Artists, Research and Exhibitions
Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Leslie Labowitz, Kathy Kauffman, Claudine King, From Reverence to Rape to Respect, 1978, performance, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Cecilia Barriga, Tattooed Skeleton, 2010, video, installation, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Pilar Riaño-Alcalá, Skin of Memory, 1999, installation, bus, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Car Renovations, 1972, installation, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Chickens Coming Home to Roost, 1975-1976, photographs, videos, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Inevitable Associations, 1976, performance, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Maps, 1973, performance, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Mona by Numbers, 1978, installation, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, One Woman Shows, 1975, performance, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Prostitution Notes, 1974, installation, drawings, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Shapes of Water, 2016, performance, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, The Crystal Quilt, 1985-1987, performance, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Three Weeks in January: End Rape in Los Angeles, 2012, performance, © Suzanne Lacy

Suzanne Lacy — AWARE Women artists / Femmes artistes

Suzanne Lacy, Tree: A Performance for Women of Ithaca, 1981, performance, © Suzanne Lacy

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