Articles

Filters
Chana Orloff - AWARE
Article
María Carmen Portela: art, politics, new women, and social commitment - AWARE
18.01.2020 | Georgina G. Gluzman

María Carmen Portela: art, politics, new women, and social commitment
Exhibition review
Natural Forms: The Sculpture of Barbara Hepworth - AWARE
12.01.2020 | Vanessa Noizet

Natural Forms: The Sculpture of Barbara Hepworth
Interview
<i>La Houle</i> [The Swell]: First Research on the Place of Women Artists in the Collections of the Centre National des Arts Plastiques - AWARE
11.12.2019 | Liberty Adrien, Juliette Pollet & Marie Chênel

La Houle [The Swell]: First Research on the Place of Women Artists in the Collections of the Centre National des Arts Plastiques
Article
Anything or Nothing: Mira Schendel’s <i>Droguinhas</i> - AWARE
17.11.2019 | Maggie Borowitz

Anything or Nothing: Mira Schendel’s Droguinhas
Exhibition review
Women Artists and the Works of Marta Pan: Plural Trajectories - AWARE
26.10.2019 | Valentin Gleyze

Women Artists and the Works of Marta Pan: Plural Trajectories
Report
“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists. - AWARE
06.07.2019 | Magali Le Mens

“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists.
Exhibition review
Simone Fattal: Unearthed History - AWARE
09.06.2019 | Mathilde Hivert

Simone Fattal: Unearthed History
Thesis or dissertation abstract
Being a woman sculptor in the first half of the 20<sup>th</sup> century: the case of Claire J. R. Colinet - AWARE
04.05.2019 | Margot Eben

Being a woman sculptor in the first half of the 20th century: the case of Claire J. R. Colinet
Exhibition review
Judy Chicago: Beyond <i>The Dinner Party</i> - AWARE
23.03.2019 | Clément Dirié

Judy Chicago: Beyond The Dinner Party
Thesis or dissertation abstract
Germaine Richier and the Performance of Female Subjectivity and Agency - AWARE
19.01.2019 | Marine Picard

Germaine Richier and the Performance of Female Subjectivity and Agency
Exhibition review
Paula Rego: Once Again Becoming Sublimely Unjust - AWARE
03.12.2018 | Camille Paulhan

Paula Rego: Once Again Becoming Sublimely Unjust
Exhibition review
Liz Magor: Disrupting Habits - AWARE
06.04.2018 | Mathilde Belouali-Dejean

Liz Magor: Disrupting Habits
Exhibition review
Rendering the Invisible Visible: Rachel Whiteread in London - AWARE
04.01.2018 | Camille Viéville

Rendering the Invisible Visible: Rachel Whiteread in London
Exhibition review
Alina Szapocznikow, Essential, at the Hepworth Wakefield - AWARE
21.12.2017 | Hélène Gheysens

Alina Szapocznikow, Essential, at the Hepworth Wakefield
Exhibition review
Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art - AWARE
02.12.2017 | Camille Viéville

Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art
Exhibition review
Nicola L.: a one-of-a-kind artist - AWARE
21.10.2017 | Mathilde Bartier

Nicola L.: a one-of-a-kind artist
Thesis or dissertation abstract
Eroticism in Isabelle Waldberg’s Sculpted Work - AWARE
14.10.2017 | Nikoleta Tsagkari

Eroticism in Isabelle Waldberg’s Sculpted Work
Exhibition review
Germaine Richier at Mont-Saint-Michel, Marked by Metamorphosis - AWARE
06.10.2017 | Hélène Gheysens

Germaine Richier at Mont-Saint-Michel, Marked by Metamorphosis

Archives
of Women Artists
Research
& Exhibitions

Facebook - AWARE Instagram - AWARE
Villa Vassilieff - 21, avenue du Maine 75015 Paris (France) — info[at]aware-art[.]org — +33 (0)1 55 26 90 29