Articles
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Exhibition review
03.07.2018 | Fanny Verdier
Journey to the Heart of Yin and Yang, with Seundja Rhee
Exhibition review
05.06.2018 | Catherine Macchi
Giosetta Fioroni: An Iconography of the Feminine
Thesis or dissertation abstract
25.05.2018 | Hélène Gheysens
Pierre Restany and Women Artists
Exhibition review
27.03.2018 | Valentin Gleyze
Sheila Hicks at the Centre Pompidou: On Art as Sharing
Interview
24.03.2018 | Nathalie Ernoult and ORLAN
ORLAN, between artist and robot
Exhibition review
17.03.2018 | Mathilde Hivert
The Game of Life by Charlotte Salomon
Exhibition review
21.12.2017 | Hélène Gheysens
Alina Szapocznikow, Essential, at the Hepworth Wakefield
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Exhibition review
12.12.2017 | Mathilde Hivert
In the heart of Echo Chamber by Anne-Marie Schneider
Exhibition review
02.12.2017 | Camille Viéville
Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art
Exhibition review
24.11.2017 | Eva Belgherbi
On the Trail of Sophie Calle and Serena Carone: Beau doublé, monsieur le marquis!
Exhibition review
21.10.2017 | Mathilde Bartier
Nicola L.: a one-of-a-kind artist
Thesis or dissertation abstract
14.10.2017 | Nikoleta Tsagkari
Eroticism in Isabelle Waldberg’s Sculpted Work
Exhibition review
06.10.2017 | Hélène Gheysens
Germaine Richier at Mont-Saint-Michel, Marked by Metamorphosis
Exhibition review
13.09.2017 | Hélène Gheysens
“Fahrelnissa Zeid”, the honey of life, at Tate Modern
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Exhibition review
01.09.2017 | Mathilde Hivert
The machinations of Hélène Delprat at La Maison rouge
Exhibition review
10.08.2017 | Camille Viéville
