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Article
18.01.2020 | Georgina G. Gluzman
María Carmen Portela: art, politics, new women, and social commitment
Thesis or dissertation abstract
21.09.2019 | Sherena Razek
Decolonizing Documentary Photography: The Rawiya Collective in Palestine
Exhibition review
31.08.2019 | Mathilde Bartier
Delphine Seyrig, the unbowed
Article
17.07.2019 | Amalia Caputo
Tecla Tofano: A Pioneering Feminist Artist in Venezuela
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Article
12.06.2019 | Lara Demori
Maternal artivism: a brief overview of Latin American women artists in the eighties
Article
17.03.2019 | Roberta Garieri
Writings of subversion: the Chiliean arpilleristas
Exhibition review
20.12.2018 | Sarah Caillet
Lee Bul: The Topography of Utopia
Article
15.12.2018 | Judith Rottenburg
Younousse Seye: The Making of a Pan-African Woman Artist in Post-Independence Senegal
Thesis or dissertation abstract
09.12.2018 | Ana Bordenave
The Sorcières Review (1975-1982): a space for for feminist representation marrying the visual arts and litterature
Thesis or dissertation abstract
18.11.2018 | Margot E. Yale
“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict
Exhibition review
07.07.2018 | Hélène Gheysens
Lea Lublin: Radical Iconoclast
Exhibition review
10.02.2018 | Camille Viéville
Beatriz González: Popular and Political
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Exhibition review
31.10.2017 | Gillian Sneed
“Bad Hombres, and Nasty Women”: Pacific Standard Time: LA/LA Examines Gender and Sexuality
Thesis or dissertation abstract
02.10.2017 | Nadine Atallah
Women, art and the nation. History of the exhibitions of two Egyptian women artists, from the 1950s to the present day: Inji Efflatoun and Gazbia Sirry
Exhibition review
25.08.2017 | Mathilde Belouali-Dejean
We Wanted a Revolution: Black Radical Women, 1965–85
Exhibition review
28.08.2016 | Fanny Verdier
