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18.04.2025 | Daria Mille
Experiments in Art and Technology (E.A.T.): Participation of women artists
Article
04.04.2025 | Kássia Borges Mytara
To create and heal. The artivism of Brazilian Indigenous women artists.
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
07.03.2025 | Nora Annesley Taylor
Southeast Asia’s First Independent Art Spaces and the Legacy of Pioneering Women Artists and Scholars from Europe and the United States
Article
07.02.2025 | Agata Jakubowska
All-Women Art Exhibitions Organised by the International Federation of Business and Professional Women
Article
27.12.2024 | Raven Manygoats
“Our Bodies Are This Land”: Indigenous Women Artists’ Depictions of the Natural World
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
25.10.2024 | Annalisa Rimmaudo
Minimal and Post-Minimal: Sculpture Beyond the White Cube
Article
11.10.2024 | N’Goné Fall
Paving the way: Women artists and Independence in Africa
Article
13.09.2024 | Sonia D’Alto
Le Nemesiache: Reclaiming Mythological Rituals
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
02.08.2024 | Idit Suslik
Material Girls: Performative Corporeality in the Works of Three Pioneer Israeli Artists of the 1970s – Yocheved Weinfeld, Efrat Natan and Adina Bar-On
Article
26.07.2024 | Jacqueline Millner
Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising
Article
12.07.2024 | Grace Aneiza Ali
Centering Guyanese Women’s Art and Migration Narratives
Article
19.06.2024 | Megumi Kitahara
The Japanese women painters who moved across borders in the 1930s and 40s, and during World War II
Article
07.06.2024 | Tomoko Kira
The sisters Shigure and Haruko Hasegawa, and Women’s Art magazine
Article
26.04.2024 | Katarzyna Ewa Trzeciak
How to Become an Artist in Interwar Warsaw. Examining the Emerging Artistic Careers of Three Jewish Women: Mary Litauer, Bella Natanson and Resia Schor
Article
12.04.2024 | Christelle Lozère
