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について
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1920s
Research
100
Interviews
20
Review
88
Artistic Movements
Art Déco
1
New Objectivity
1
Surrealism
4
Subjects
Abstraction
23
Allegory
14
Animals
16
Architecture
11
Autobiography
12
Self-portrait
26
Political issues
57
Women's status
62
Human body
68
Discriminations
36
Childhood
8
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9
Fantasy & dreams
13
Feminism
54
History
44
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16
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26
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4
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13
Maternity
14
Memory
31
Human migration
11
Fashion & clothing
2
Nation
5
Nature
23
Still life
7
Nude
22
Landscape
17
Urban landscape
9
Portrait
35
Postcolonialism
21
Religion & spirituality
12
Domestic scene
9
Traditions
24
Drag
5
Vegetal
9
Everyday life
29
Mediums
Applied arts
18
Ceramic
9
Graphic arts
90
Watercolour
14
Dessin (ink, pencil…)
36
Engraving & etching
8
Illustration
6
Pastel
6
Journal
8
Audiovisual
40
Installation
78
[Modes]
19
Monumental
11
Painting
97
Gouache
5
Oil
29
Performance
31
Photography
53
Analogue photography
20
Photojournalism
2
Photomontage
4
Sculpture
42
Bronze
5
Textile
26
Embroidery
7
Countries
Africa
16
Algeria
3
Central America and the Caribbean
2
France (Antilles)
1
North America
58
Canada
3
United States
51
Mexico
8
South America
30
Asia
24
China
4
Japan
10
Europe
132
Germany
20
Denmark
4
France
69
Georgia
1
Hungary
6
Poland
5
United Kingdom
24
Middle East
14
Oceania
7
Australia
6
Periods of
activity
17th century
1
18th century
3
19th century
15
1850s
2
1860s
3
1870s
3
1880s
6
1890s
8
20th century
171
1900s
11
1910s
14
1930s
24
1940s
22
1950s
30
1960s
58
1970s
100
1980s
103
1990s
92
21st century
122
2000s
90
2010s
104
Programmes
— Women Artists in Japan, 19th–21st c.
6
— Rewriting Art History in the Americas
8
— TEAM: Teaching, E-learning, Agency, Mentoring
14
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Article
07.06.2024 | Tomoko Kira
The sisters Shigure and Haruko Hasegawa, and Women’s Art magazine
Article
26.04.2024 | Katarzyna Ewa Trzeciak
How to Become an Artist in Interwar Warsaw. Examining the Emerging Artistic Careers of Three Jewish Women: Mary Litauer, Bella Natanson and Resia Schor
Article
12.04.2024 | Christelle Lozère
The major role of women artists in the history of art of the French Antilles in the context of slavery and post-slavery
Article
21.04.2023 | Yukiko Yokoyama
A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Article
26.11.2021 | Sofie Normann Christensen
The Danish Women Artists’ Retrospective Exhibition in Copenhagen, 1920
Article
19.09.2020 | Julia Hartmann
Nudes in 1920s China: Emancipation and Agency in the Works of Female Artists
Article
21.06.2020 | Paul Narjoz-Delatour
The Evolution of the Artistic Portrayal of Women by Chinese Female Artists in the 20th Century
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Thesis or dissertation abstract
04.05.2019 | Margot Eben
Being a woman sculptor in the first half of the 20
th
century: the case of Claire J. R. Colinet
Article
24.02.2019 | Camille Viéville
New Pathways, New Voices. Women Painters and Self-Portraiture in Early 20th Century Europe
Article
12.01.2019 | Nathalie Ernoult
Three Scandinavian surrealist women artists in Paris
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
Exhibition review
24.08.2018 | Camille Viéville
Aenne Biermann at Museum Ludwig: a taste for forms
Exhibition review
25.05.2017 | Mathilde Bartier
Gillian Wearing & Claude Cahun, Behind the mask, another mask
Exhibition review
06.12.2016 | Nathalie Ernoult
Vera Pagava. Celestial bodies
Exhibition review
04.12.2015 | Nathalie Ernoult
Gerda Wegener
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