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EN
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Index
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1930s
Research
102
Interviews
22
Review
88
Artistic Movements
Art Déco
1
New Objectivity
1
Surrealism
4
[Artist collectives]
16
Subjects
Abstraction
23
Allegory
14
Animals
16
Architecture
11
Autobiography
12
Self-portrait
27
Political issues
58
Social classes
7
Women's status
62
Human body
69
Discriminations
37
Childhood
8
Public space
9
Fantasy & dreams
13
War & conflicts
25
History
45
Art history & museum
17
Identity
27
Industry
4
Intimacy
13
Maternity
14
Memory
33
Human migration
11
Death
4
Nation
5
Nature
24
Still life
7
Nude
22
Landscape
18
Urban landscape
9
Portrait
36
Postcolonialism
21
Religion & spirituality
12
Domestic scene
9
Traditions
25
Work
9
Drag
5
Vegetal
10
Everyday life
29
Travel
1
Mediums
Applied arts
18
Graphic arts
91
Watercolour
14
Dessin (ink, pencil…)
36
Engraving & etching
8
Illustration
6
Pastel
6
Journal
8
Audiovisual
40
Installation
78
[Modes]
19
Monumental
11
Painting
100
Gouache
5
Oil
31
Performance
31
Photography
55
Analogue photography
20
Photojournalism
2
Photomontage
4
Sculpture
43
Wood
1
Bronze
5
Metal
5
Stone
4
Plaster
2
Textile
27
Embroidery
8
Countries
Africa
16
Algeria
3
Central America and the Caribbean
3
France (Antilles)
1
North America
58
Canada
3
United States
51
Mexico
8
South America
31
Argentina
9
Uruguay
2
Asia
26
China
4
Japan
11
Russia
3
Vietnam
3
Europe
134
Germany
20
Austria
6
Belgium
6
Denmark
4
Spain
7
Finland
1
France
71
Georgia
1
Greece
1
Hungary
6
Italy
13
Norway
2
Netherlands
3
Poland
5
Czech Republic
2
Romania
1
United Kingdom
24
Sweden
2
Switzerland
7
Middle East
14
Oceania
7
Australia
6
Periods of
activity
17th century
1
18th century
3
19th century
15
1850s
2
1860s
3
1870s
3
1880s
6
1890s
8
20th century
175
1900s
11
1910s
14
1920s
19
1940s
23
1950s
32
1960s
61
1970s
103
1980s
105
1990s
95
21st century
125
2000s
93
2010s
106
Programmes
— Women Artists in Japan, 19th–21st c.
7
— Rewriting Art History in the Americas
9
— TEAM: Teaching, E-learning, Agency, Mentoring
15
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Article
07.02.2025 | Agata Jakubowska
All-Women Art Exhibitions Organised by the International Federation of Business and Professional Women
Article
19.06.2024 | Megumi Kitahara
The Japanese women painters who moved across borders in the 1930s and 40s, and during World War II
Article
07.06.2024 | Tomoko Kira
The sisters Shigure and Haruko Hasegawa, and Women’s Art magazine
Article
26.04.2024 | Katarzyna Ewa Trzeciak
How to Become an Artist in Interwar Warsaw. Examining the Emerging Artistic Careers of Three Jewish Women: Mary Litauer, Bella Natanson and Resia Schor
Article
12.04.2024 | Christelle Lozère
The major role of women artists in the history of art of the French Antilles in the context of slavery and post-slavery
Article
21.04.2023 | Yukiko Yokoyama
A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Article
08.10.2021 | Maite Garbayo Maetzu and Noemi de Haro García
Artists at the rearguard in the Spanish Pavilion of the Republic (1937)
Article
21.06.2020 | Paul Narjoz-Delatour
The Evolution of the Artistic Portrayal of Women by Chinese Female Artists in the 20th Century
Article
18.01.2020 | Georgina G. Gluzman
María Carmen Portela: art, politics, new women, and social commitment
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Thesis or dissertation abstract
04.05.2019 | Margot Eben
Being a woman sculptor in the first half of the 20
th
century: the case of Claire J. R. Colinet
Article
24.02.2019 | Camille Viéville
New Pathways, New Voices. Women Painters and Self-Portraiture in Early 20th Century Europe
Article
12.01.2019 | Nathalie Ernoult
Three Scandinavian surrealist women artists in Paris
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
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