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1950s
Research
119
Interviews
20
Review
88
Fields
Architecture
2
Decorative arts & design
1
Visual arts
5
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Conceptual art
11
Artist collective
18
École de Paris
2
Nouveau Réalisme
2
Surrealism
6
Subjects
Abstraction
23
Allegory
15
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17
Architecture
12
Autobiography
14
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27
Political issues
63
Women's status
66
Human body
71
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14
Discriminations
39
Documentary
12
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17
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8
Eroticism
7
Public space
9
Fantasy & dreams
13
Feminism
57
Geometry
8
War & conflicts
26
History
48
Art history & museum
22
Identity
34
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13
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11
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14
Light
2
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15
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37
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12
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4
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6
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28
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7
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22
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23
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12
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36
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23
Religion & spirituality
12
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11
Traditions
26
Everyday life
32
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19
Mediums
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93
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14
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10
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38
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9
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6
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8
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7
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8
Performing arts
0
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44
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1
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81
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19
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10
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11
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18
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9
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107
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11
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35
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33
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57
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23
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4
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44
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1
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5
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5
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4
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2
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28
Countries
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18
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3
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4
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4
Central America and the Caribbean
4
Haiti
1
North America
60
United States
53
Mexico
8
South America
32
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9
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12
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4
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7
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2
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3
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29
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4
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3
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2
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14
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141
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20
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6
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75
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1
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6
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14
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5
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25
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7
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16
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2
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4
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2
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4
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5
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7
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6
Periods of
activity
XVIe siècle
2
17th century
3
18th century
6
19th century
20
20th century
186
1900s
14
1910s
17
1920s
22
1930s
29
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27
1960s
63
1970s
105
1980s
106
1990s
95
21st century
127
2000s
94
2010s
108
2020s
52
Programmes
— Rewriting Art History in the Americas
10
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
4
1
2
>
Article
16.05.2025 | Hyphen— (Andri Setiawan, Ruhaeni Intan and Rachel K. Surijata)
Unveiling Kustiyah, et al.: In constellation to each other
Article
02.05.2025 | Jerry Philogene
Searching for Luce Turnier: The France Years (1951–1955 & 1960–1977)
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
11.11.2022 | Osnat Zukerman Rechter
Elisheva Cohen and Ayala Gordon: Museology as a Social Challenge
Article
04.02.2022 | Fatou Sow Sarr
Women artists and their role in the political struggles of Senegal
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Interview
31.10.2020 | Doris Salcedo & Carolina Ariza
Doris Salcedo: From Singular Identity to Collective Historiography
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Article
21.06.2020 | Paul Narjoz-Delatour
The Evolution of the Artistic Portrayal of Women by Chinese Female Artists in the 20th Century
Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Article
18.01.2020 | Georgina G. Gluzman
María Carmen Portela: art, politics, new women, and social commitment
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Article
17.07.2019 | Amalia Caputo
Tecla Tofano: A Pioneering Feminist Artist in Venezuela
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Thesis or dissertation abstract
19.01.2019 | Marine Picard
Germaine Richier and the Performance of Female Subjectivity and Agency
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
Exhibition review
01.08.2018 | Hélène Gheysens
Maria Lassnig: an epiphany of perception
1
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