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Index
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-日本
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について
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Everyday life
Research
105
Interviews
22
Review
88
Artistic Movements
Outsider art
2
Nouveau Réalisme
2
New Objectivity
1
Pop art
4
Surrealism
4
Subjects
Abstraction
23
Animals
16
Architecture
11
Autobiography
12
Self-portrait
27
Political issues
59
Women's status
62
Consumerism
8
Human body
69
Colour
14
Discriminations
37
Documentary
7
Writing
15
Childhood
8
Public space
9
Fantasy & dreams
13
Feminism
54
War & conflicts
25
History
46
Art history & museum
19
Identity
28
Industry
4
Intimacy
13
Irony
12
Language
14
Maternity
15
Memory
34
Human migration
11
Fashion & clothing
2
Myths, tales & legends
5
Nature
24
Still life
7
Nude
22
Landscape
20
Urban landscape
10
Spatial perception
1
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36
Postcolonialism
22
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2
Racism
12
Religion & spirituality
12
Domestic scene
9
Traditions
25
Work
9
Domestic work
8
Vegetal
10
Violence
18
Mediums
Applied arts
18
Ceramic
9
Graphic arts
92
Collage
10
Dessin (ink, pencil…)
37
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9
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8
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2
Audiovisual
41
Digital
4
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23
Installation
78
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12
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6
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19
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10
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11
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103
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34
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31
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55
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20
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2
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4
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4
Sculpture
43
Paper & cardboard
2
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2
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2
Textile
27
Embroidery
8
Weaving
7
Countries
Africa
17
Angola
1
Mozambique
1
Nigeria
3
Zimbabwe
1
Central America and the Caribbean
3
North America
58
United States
51
South America
31
Argentina
9
Brazil
11
Colombia
4
Peru
7
Venezuela
3
Asia
26
Japan
11
Europe
137
Germany
20
Austria
6
Belgium
6
Spain
7
France
71
Hungary
6
Italy
14
Netherlands
3
Portugal
4
Czech Republic
2
United Kingdom
24
Switzerland
7
Middle East
14
Lebanon
3
Oceania
7
Periods of
activity
XVIe siècle
2
17th century
3
18th century
5
1710s
3
1720s
3
1730s
3
1740s
3
1750s
3
1760s
3
1770s
3
1780s
3
1790s
3
19th century
17
1830s
2
1840s
1
1850s
2
1860s
3
1870s
3
1880s
6
1890s
8
20th century
178
1900s
11
1910s
14
1920s
19
1930s
24
1940s
23
1950s
32
1960s
62
1970s
104
1980s
106
1990s
96
21st century
126
2000s
94
2010s
107
2020s
52
Programmes
— Women Artists of the 1960s in Africa
2
— 18th-Century Women Artists
2
— Women Artists in Japan, 19th–21st c.
8
— Rewriting Art History in the Americas
9
1
2
>
Article
20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
22.03.2024 | Romy Kerkhof
Unveiling Artistic Pathways: The Labour of Dutch Women Artists in the Eighteenth Century.
Article
13.10.2023 | Kojima Kaoru
From the Edo era to the beginning of the 20th century: the artistic education of women painters
Article
13.10.2023 | Kojima Kaoru
Women Nihonga Painters and Bijinga
Article
14.09.2023 | Aby Gaye-Duparc
The Gee’s Bend Quilt Collective: a story of the South
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Exhibition review
06.08.2021 | Louise Thurin
The Power of My Hands
– Palms and Fists Raised
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Article
17.11.2019 | Maggie Borowitz
Anything or Nothing: Mira Schendel’s
Droguinhas
Exhibition review
28.07.2019 | Manon Burg
Laëtitia Badaut Haussmann: The Performative Poetry of the Habitat
Article
17.07.2019 | Amalia Caputo
Tecla Tofano: A Pioneering Feminist Artist in Venezuela
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
09.02.2019 | Sarah Caillet
Proletarian poetry: a celebration of marginality
Exhibition review
03.12.2018 | Camille Paulhan
Paula Rego: Once Again Becoming Sublimely Unjust
Exhibition review
04.11.2018 | Mathilde Bartier
Véronique Ellena: In Praise of the Everyday
1
2
>
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