Berni Searle. Approach, exh. cat., USF Contemporary Art Museum, Tampa (27 October – 20 December 2006) ; Johannesburg Art Gallery, Johannesburg (November 2006 – January 2007), Tampa/ Johannesburg, University of South Florida Contemporary Art Museum/ Johannesburg Art Gallery, 2006
→Berni Searle. Across Oceans, exh. cat., Transit Art Space, Stavanger (2008), Stavanger, Transit Art Space, 2008
→Berni Searle. Recent work 2007/08, exh. cat., Michael Stevenson Gallery, Johannesburg (September 2008), Johannesburg, Michael Stevenson Gallery, 2008
Berni Searle. 3 video works, BildMuseet, Umeå, September 2005
→Berni Searle: Interlaced, De Hallen, the Belfry Tower, Bruges, 18 April – 12 June 2001 ; Museum voor Moderne Kunst Arnhem, Arnhem, 9 July – 16 October 2011 ; Frac Lorraine, Metz, 21 May – 18 September 2011
South African visual artist.
Since the 1990s, Berni Searle has developed a deeply politically and socially engaged body of work, using mediums such as photography, video, and performance. She often portrays her own body as the incarnation of a wounded collective body with multiple identities. As a mixed-race African woman, B. Searle conceives her works as reminders of the visible and invisible traumas that pervade post-Apartheid South Africa. In Colour Me (1998-2000), the artist is depicted lying down, her naked body covered in colourful spices (turmeric, ground cloves, paprika), eyes turned toward the public. In this case, B. Searle uses an individual destiny as an allusion to merchant shipping in Cape Town during the colonial period. In some of her works, violence seems to delve more deeply into the skin, such as in the series Discoloured (1999-2000), in which parts of her body are covered in henna and compressed until the flesh appears to be wounded. Profile (2002) utilises a similar process, in which the artist’s cheek becomes the canvas for (temporary) markings reminiscent of various stories of oppression suggested by historically significant symbols – a Catholic cross, a Dutch windmill, the British crown – imprinted into the skin.