Carole Benzaken

1964 | Grenoble, France
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Carole Benzaken — AWARE Women artists / Femmes artistes

© Photo: Jennifer Westjohn, Courtesy of the artist and Galerie Nathalie Obadia, Paris/Brussels

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— Galerie Nathalie Obadia

French painter.

Trained at the École nationale supérieure des beaux-arts in Paris (1985-1990), Carole Benzaken then taught there, from 1995 to 1996. She embarked on her career by painting flowers, series of tulips frontally aligned on diptychs. Through her choice of highly coded motifs, confined in a tradition, the young artist challenged what would be the essential vessel of her multi-facetted praxis: the relation of the painting to the image, and this latter’s relation to the object. She went to Los Angeles in 1997 and was offered a job teaching at the Pasadena Art Center; in the end she stayed seven years in the United States. Her immersion in a new and powerful culture, the freedom and solitude of being uprooted would greatly inform her work: countless images of that overflowing day-to-day world, passed and passed again through the filter of magazine photos, TV, street posters and films, the movement of things and of the crowd on the gigantic scale of that city were forever demanding her attention. The artist committed them to the pace at which she experienced them, by filming, drawing and painting them. Whether it was in the form of drawings, paintings or videos, her subjects took on a new tension, caused by the excesses of the place and the keen gaze developed by the foreigner and traveler.

Benzaken has adapted her works, be they figurative or abstract, to the cut-up and iterative scansion of the world rendered by photos in large numbers. Back in France in 2004, she won the Marcel Duchamp Prize. She carried on with that approach, very close to the abundance of vital experiences, which she translates into a visual praxis that can be compared to a living organism. The subtle Rouleau à peintures which she has been working on since 1989 is like a pouch of thoughts, filled with both biographical remnants, diverse visions, immediate events, and mental strolls, which she rummages through and then puts back together again in the visual mode of her choosing.

Read more

Ann Hindry

Translated from French by Simon Pleasance.

From the Dictionnaire universel des créatrices
© 2013 Des femmes – Antoinette Fouque
© Archives of Women Artists, Research and Exhibitions
Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Verdi, 1993, acrylic on canvas, 160 x 160 cm, Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Diana’s Funeral 2, 1998, acrylic on canvas, 238 x 280 cm, Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Travelling 5, 2004, acrylic and oil on canvas, 210 x 290 cm, Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Ecclesiaste 7.24. F, 2007, mixed technic, 81.5 x 164 x 11.5 cm, Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, (Lost) Paradise J, 2009, acrylic on canvas, 200 x 300 cm, Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Canal Saint-Martin La Nuit 2, 2008, acrylique sur toile, 81 x 351 cm, Courtesy Carole Benzakem et Galerie Nathalie Obadia, Paris/Bruxelles, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Saviv Saviv (15 cuves), 2011 – 2015, set of 15 metallic cistern of grey sheet metal lacquered in grey, drawings in laminated glass, retro illuminated with Leds programmation, extension cables, remotes control, 40 x 60 x 60 cm, Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © Photo: David Bordes, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Migrations temporaires 1, 2013, mixed technic, 170 x 320 cm, Courtesy Carole Benzakem et Galerie Nathalie Obadia, Paris/Bruxelles, © Photo : Bertrand Huet/TUTTI Image, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Mi’ma’amakim, 2016, suspended and stretched strings, tinted medium, twelve speakers broadcasting a sound piece (30 mn loop) mixing birds songs (jay, merle, pigeon, tit, hummingbird, canary, etc.) against a backdrop of polish forest and wind sounds, 13 x 4 x 4 cm, Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © Photo: David Bordes, © ADGAP, Paris

Carole Benzaken — AWARE Women artists / Femmes artistes

Carole Benzaken, Magnolias 25 (Dyptique), 2016, Indian ink and pencils, laminated on glass, 120 x 160 cm (two pannels: 120 x 57 et 120 x 100 cm), Courtesy Carole Benzakem and Galerie Nathalie Obadia, Paris/Bruxelles, © Photo: David Bordes, © ADGAP, Paris

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