Özpınar, Ceren and Kelly, Mary (eds.), Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today, Oxford, Oxford University Press, 2020→
Ross, Andrew (ed.), The Gulf: High Culture/Hard Labor, New York, OR Books, 2015→
Oweis, Fayeq, Encyclopedia of Arab American Artists: Artists of the American Mosaic, Connecticut, Greenwood Publishing Group, 2007
Mihrab: Portraits of Arab American Women, Arab American National Museum, Michigan, May 12–September 30, 2018→
Faces of Mary, Gloria Dei Lutheran Church Art Gallery, Minnesota, September 6–October 10, 2015→
Fatimah in America II, Hillstrom Museum of Art – Gustavus Adolphus College, Minnesota, February 18–March 4, 2007
Saudi American painter and printmaker.
Hend Al-Mansour is an installation artist, printmaker and a public speaker. Her work focuses on Arab Muslim women’s issues. Her art questions gender politics in the Arab world. She concentrates on creating intimate spaces to symbolise the private lives of women in the Middle East.
H. Al-Mansour started her career as a cardiologist, graduating from Cairo University in 1981. After practising medicine for some twenty years, in 1997 she moved to the United States, and eventually switched careers. In 2002 she earned an MFA from the Minneapolis College of Art and Design. Then in 2013 she received another Master’s degree, in art history, from the University of St. Thomas in St. Paul, Minnesota.
At the beginning, she relied on henna both as a pattern and a medium in order to connect her art with some aspects of her Arab cultural heritage. Departing from her interest in pre-Islamic art and women’s issues of her hometown, she combined stylised female figures, religious iconography, Arabic calligraphy, Islamic ornaments and Saudi Bedouin embellishments.
H. Al-Mansour’s printed silkscreens, installation art and portraits of Muslim women explore the religious and social belief systems of Arab communities, especially those dealing with women, sexuality and understanding the Other. She investigates the status of contemporary Arab art and cultivates its independence from Western art and its distinction from other Middle Eastern and Islamic identities. H. Al-Mansour often depicts portraits of Muslim women in architectural spaces using materials made from silkscreened, dyed or hennaed fabrics. Stylised figures and faces intertwined with Islamic ornamentation composed using repeated, patterned forms are prominent in her work.
While living in a non-Eastern country, her art ceased to explore the notion of how Arab Muslim artists portray Arab Muslim women and how their art differs from Western art. In general, she uses art to draw the audience’s attention towards the absurdities of social traditions and particularly focuses on those concerning Middle Eastern women.
In 2014, in her solo exhibition titled How to Be a Feminist Artist, at Murphy Gallery, St. Catherine’s University, Minnesota, H. Al-Mansour’s featured works examining the role of Muslim women in modern society. She used traditional Islamic elements, including passages from the Quran and vivid Arabic textile patterns and designs to express gender disparity towards women.
H. Al-Mansour is considered a leading figure in the Saudi women’s movement. She was listed among the 100 most powerful Arab women in the magazine Arabian Business for the years 2009, 2011 and 2012. She was awarded the Jerome Emerging Printmakers Residency in 2013 and the McKnight Artist Fellowship in 2018.
A notice produced as part of the TEAM international academic network: Teaching, E-learning, Agency and Mentoring
Hend Al-Mansour, Walladeh, 2004, screen-printing with henna on wool, 101.6 x 76.2 cm/ 40 x 30 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Allat, 2020, acrylic on panel, 60.9 x 45.7 cm / 24 x 18 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Fatimah in America, 2011, installation with screen-prints © Courtesy of Hend Al-Mansour
Hend Al-Mansour, I am Blue, 2008, monoprint, 20.3 x 40.6 cm / 8 x 16 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Khadijah (Peace Be Upon Her), 2014 (detail), screen-print on cotton, 365.7 x 152.4 cm / 12 x 5 ft. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Mihrab, 2018, screen-printing and installation of 3 separate structures: The Pink House of God, God at Mid-day, and Blue roots © Courtesy of Hend Al-Mansour
Hend Al-Mansour, My Arab Father, 2003, henna on canvas, 76.2 x 114.3 cm / 30 x 45 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Portrait of Katayoun, 2021, oil and screen-printing on panel, 60.9 x 76.2 cm / 24 x 30 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, She Thinks She Makes Art, 2016, screen-printing on paper, 83.8 x 88.9 cm / 33 x 35 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Singing Slave Girls, 2012, screen-printing with henna and ink on fabric 45.7 x 50.8 cm / 18 x 20 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Story of a Woman, 2015, screen-printing on paper, 68.5 x 58.4 cm / 27 x 23 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, The Pink House of God, 2017, screen-print, installation view © Courtesy of Hend Al-Mansour
Hend Al-Mansour, The Scholar, 2021, oil painting on panel, 60.9 x 45.7 cm / 24 x 18 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, The Secret, 2013, screen-printing on paper, 81.2 x 106.6 cm / 32 x 42 in. © Courtesy of Hend Al-Mansour
Hend Al-Mansour, Women of Arabia, 2000, acrylic on canvas, 76.2 x 101.6 cm / 40 x 30 in. © Courtesy of Hend Al-Mansour