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Review
Filtres
Movements and currents
Geometric abstraction
2
Lyrical abstraction
2
Outsider art
2
Conceptual art
7
Naïve art
1
École de Paris
2
Abstract expressionism
1
Land art
2
Minimalism
2
Nouveau réalisme
2
New Objectivity
1
Pop art
4
Surrealism
4
Symbolism
3
[Artists’ collectives]
11
Subjects
Abstraction
21
Allegory
11
Animals
10
Architecture
11
Autobiography
10
Self-portrait
23
Political issues
46
Women's status
50
Consumerism
7
Human body
62
Colour
12
Discriminations
30
Environment
7
Writing
14
Childhood
8
Erotism
7
Public space
6
Fantastic
10
Feminism
41
Gender fluidity
3
Geometry
6
War & conflicts
18
History
31
Identity
20
Privacy
11
Irony
11
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1
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13
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2
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1
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13
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2
Media
7
Memory
26
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9
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2
Death
3
Mythology
4
Nation
3
Nature
16
Still life
5
Nude
18
Fantasy
6
Landscape
13
Urban landscape
8
Visual perception
3
Portrait
29
Postcolonialism
13
Sex positivity
1
Queer
3
Racism
10
Religion & spirituality
10
Domestic scene
8
Science
3
Sexuality
8
Traditions
20
Work
6
Domestic work
6
Drag
4
Vegetal
5
Everyday life
27
Violence
13
Lesbian visibility
3
Trans visibility
5
Mediums
Applied arts
14
Ceramic
5
Graphic arts
78
Watercolour
10
Collage
8
Dessin (ink, pencil…)
27
Gravure
6
Artist's book
8
Pastel
6
Journal
8
Audiovisual
33
Film
6
Sound
3
Video
18
Installation
73
Assemblage
9
Light installation
2
[Modes]
16
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9
Monumental
9
Painting
84
Acrylic
7
Gouache
3
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21
Performance
24
Photography
47
Silver photography
18
Digital photography
5
Photojournalism
2
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4
Historical techniques
4
Sculpture
34
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1
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5
Metal
4
Plastic
1
Plaster
2
Resin
1
Textile
24
Embroidery
6
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5
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14
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1
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2
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1
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1
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2
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1
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52
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1
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45
Mexico
8
South America
22
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5
Brazil
9
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4
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4
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2
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18
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3
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2
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6
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1
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1
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1
Europe
124
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1
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19
Austria
5
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4
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4
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5
France
66
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1
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5
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2
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11
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2
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1
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1
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2
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4
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22
Switzerland
6
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11
Iraq
1
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2
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2
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3
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4
Oceania
3
Australia
3
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creation
19th century
13
1880s
4
1890s
6
20th century
149
1900s
9
1910s
11
1920s
16
1930s
19
1940s
20
1950s
29
1960s
53
1970s
90
1980s
93
1990s
83
21st century
106
2000s
80
2010s
92
2020s
37
Programmes
— Program TEAM: Teaching, E-learning, Agency, Mentoring
4
— Program « Women Artists in Japan »
2
— Program « The Origin of Others. Rewriting Art History in the Americas »
1
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Exhibition review
15.09.2019 | Adélie Le Guen
The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism
Exhibition review
31.08.2019 | Mathilde Bartier
Delphine Seyrig, the unbowed
Exhibition review
28.07.2019 | Manon Burg
Laëtitia Badaut Haussmann: The Performative Poetry of the Habitat
Report
25.07.2019 | Ariane Fleury
Fifty Years and almost 50%: An Overview of Female Photographers at Rencontres d’Arles 2019
Report
06.07.2019 | Magali Le Mens
“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists.
Exhibition review
30.06.2019 | Camille Viéville
Dora Maar: The Multifaceted Artist
Exhibition review
22.06.2019 | Mathilde Bartier
Takako Saito: playful art
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
11.05.2019 | Hanna Alkema
Shadows & spaces for mental projection: Lourdes Castro, Ulla von Brandenburg & Laura Lamiel in Occitanie
Exhibition review
23.03.2019 | Clément Dirié
Judy Chicago: Beyond
The Dinner Party
Exhibition review
09.03.2019 | Vanessa Noizet
Ellen Gallagher, black, blue, aqueous
Exhibition review
09.02.2019 | Sarah Caillet
Proletarian poetry: a celebration of marginality
Exhibition review
20.12.2018 | Sarah Caillet
Lee Bul: The Topography of Utopia
Exhibition review
03.12.2018 | Camille Paulhan
Paula Rego: Once Again Becoming Sublimely Unjust
Report
26.11.2018 | Joséphine Givodan
Elles x Paris Photo: Diversity tested by the market
Exhibition review
04.11.2018 | Mathilde Bartier
Véronique Ellena: In Praise of the Everyday
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
Exhibition review
29.09.2018 | Marjorie Micucci
Joëlle Tuerlinckx Takes on Vassivière Island, or The Heuristic Point of View
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