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Exhibition review
11.05.2019 | Hanna Alkema
Shadows & spaces for mental projection: Lourdes Castro, Ulla von Brandenburg & Laura Lamiel in Occitanie
Thesis or dissertation abstract
04.05.2019 | Margot Eben
Being a woman sculptor in the first half of the 20th century: the case of Claire J. R. Colinet
Thesis or dissertation abstract
15.02.2019 | Sophie Leromain
Gabrielle Hébert, a woman photographer and painter’s wife
Exhibition review
09.02.2019 | Sarah Caillet
Proletarian poetry: a celebration of marginality
Exhibition review
04.11.2018 | Mathilde Bartier
Véronique Ellena: In Praise of the Everyday
Exhibition review
24.08.2018 | Camille Viéville
Aenne Biermann at Museum Ludwig: a taste for forms
Exhibition review
01.08.2018 | Hélène Gheysens
Maria Lassnig: an epiphany of perception
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, photographing to resist
Exhibition review
13.09.2017 | Hélène Gheysens
“Fahrelnissa Zeid”, the honey of life, at Tate Modern
Exhibition review
10.08.2017 | Camille Viéville
“Alice Neel, Painter of Modern Life” in Arles
Thesis or dissertation abstract
05.08.2017 | Anne-Laure Huet
Madeleine Jouvray (1862-1935): a sculptress at the turn of the century
Exhibition review
09.06.2017 | Ève Mouss
Opening of the musée Camille Claudel de Nogent-sur-Seine
Exhibition review
28.08.2016 | Fanny Verdier
Gülsün Karamustafa. Chronografia
Exhibition review
30.06.2016 | Nathalie Ernoult
Paula Modersohn-Becker: An Intensely Artistic Eye
Exhibition review
04.12.2015 | Nathalie Ernoult
Gerda Wegener
Exhibition review
05.11.2015 | Nathalie Ernoult
Who’s afraid of women photographers? at the Musée d’Orsay
Exhibition review
22.10.2015 | Nathalie Ernoult
