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Exhibition review
03.05.2020 | Léa Pagnier
I’M NOT A NICE GIRL!: An Unequivocal Homage to the Female Pioneers of Conceptual Art
Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
14.02.2020 | Matylda Taszycka
Hand-to-hand with Miriam Cahn
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Interview
![<i>La Houle</i> [The Swell]: First Research on the Place of Women Artists in the Collections of the Centre National des Arts Plastiques - AWARE](https://awarewomenartists.com/wp-content/uploads/2019/11/barbara-kruger_who-do-you-think-you-are_1997_aware_women-artists_artistes-femmes-750x532.jpg)
11.12.2019 | Liberty Adrien, Juliette Pollet & Marie Chênel
La Houle [The Swell]: First Research on the Place of Women Artists in the Collections of the Centre National des Arts Plastiques
Article
17.11.2019 | Maggie Borowitz
Anything or Nothing: Mira Schendel’s Droguinhas
Exhibition review
09.11.2019 | Elena Cardin
Maria Lai: The Infinite Thread of Imagination
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Exhibition review
15.09.2019 | Adélie Le Guen
The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism
Article
07.09.2019 | Madeline Murphy Turner
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Exhibition review
31.08.2019 | Mathilde Bartier
Delphine Seyrig, the unbowed
Exhibition review
28.07.2019 | Manon Burg
Laëtitia Badaut Haussmann: The Performative Poetry of the Habitat
Report
25.07.2019 | Ariane Fleury
Fifty Years and almost 50%: An Overview of Female Photographers at Rencontres d’Arles 2019
Article
17.07.2019 | Amalia Caputo
Tecla Tofano: A Pioneering Feminist Artist in Venezuela
Report
06.07.2019 | Magali Le Mens
“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists.
Exhibition review
30.06.2019 | Camille Viéville
